Pilgrim’s Inn by Elizabeth Goudge (1948)

Pilgrim’s Inn (also published as The Herb of Grace) is the second book in the Eliot Family Trilogy. Its best to read it after The Bird in the Tree as most of the characters are introduced in the first book and the central theme continues into the second book. I read both books one after the other.

The Bird in the Tree introduces the Eliot family and the history of Lucilla, the matriarch of the family, who purchases the house at Damerosehay, which she intends to establish as an inheritance and a place of refuge and beauty for her grandchildren.
Lucilla had very noble intentions but when her beloved and favourite grandson, David, entered into a relationship that was the antithesis of all she had planned and hoped for, she took some matters into her own hands.
The Bird in the Tree has the rumblings of WWII in the background and ends with on a shaky note regarding this relationship. Pilgrim’s Inn picks up the pieces at the end of the war and continues to work through the ramifications of the various individual decisions.

What I liked about this book:

• The setting (the coastal area of eastern England) and the descriptions of the countryside
• The theme - a moral dilemma; the choice between feelings/emotions and duty
•       Goudge doesn't offer quick fixes. Her characters feel pain and hopelessness but there is always a redemptive pathway
• The sensitivity shown by the author to the effects of marital breakdown on children
• Goudge’s lovely reflective writing:

‘Hers was the unconscious tyranny of inexorable great expectations.’

‘She knew how worrying, even how agonising sometimes, the questions of grownups can be to children whose capacity for experience so far outstrips their capacity for talking about it. And in afterlife it it’s the other way round...adult and educated folks seemed to experience so little of any consequence and yet to say such a vast and wearisome amount about it.’

Some Characters:

Lucilla, a grandmother who was quite manipulative at times. Yes, she loved her family, but her actions were often quite selfish towards some of them, especially her unmarried daughter, Margaret. I cringed a few times to read how she advanced her own (noble as they were) plans. She was a praying woman but perhaps felt the Lord needed some help from her!

Hilary, the eldest of Lucilla’s five children - a bachelor and a parish priest - on the other hand, was not in any way manipulative. Placid, patient, wise, utterly unselfconscious, utterly happy, much loved and popular within his parish. He did know when to speak out and did so when the time came.

Annie-Laurie, a gifted young lady with a dark past and a secret she dare not disclose.

Nadine, a beautiful woman who made a decision to put duty before passion but is now faced with working this out in daily life.

‘In even the smallest of selfless decisions there is a liberation from self...’

David, a young, sensitive man devastated by loss and only capable of ‘tattered loving.’

'Till whatsoever star that guides my moving
Points on me graciously with fair aspect,
And puts apparel on my tattered loving,
To show me worthy of thy sweet respect:
Then may I dare to boast how I do love thee;
Till then not lift my head where thou mayest prove me.'
- William Shakespeare

Pilgrim’s Inn is a slow, worthwhile read; descriptive and thoughtful with a satisfying outcome. I haven’t yet read the last book in the trilogy but this one didn’t leave me with a sense of unfinished business so unless the book falls into my hands I probably won’t read it.
Or should I? Have you read the last book in this trilogy? I’d be interested to know whether it really adds anything more to the story.



Linking to 2020 Back to the Classics: Classic with a Place in the Title

Saplings by Noel Streatfeild (1945)

Saplings is the story of the Wiltshire family: Alex and Lena and their four children, Laurel, Tony, Kim and Tuesday, who are by all accounts a successful middle class family, well off and happy. That is, until the war began.
With the bombing of London imminent, the Wiltshire children were evacuated to the country to stay with their grandparents. Alex was involved in special war work and had to stay in London. He wanted Lena to go to his parent's home with the children but she refused to leave him.

‘The children were darlings, but she was not a family woman, she was utterly wife, and, if it came to that, a mistress too, and she meant to go on being just those things.’

As the war progressed, the grandparents had to give up their large home to the military and move to a smaller place. There was a change of schools for the older ones and the children were farmed out to different relatives creating much unrest and misunderstanding.
Lena had unshakeable poise and was pretty and narcissistic.

‘There was nothing she liked better than to be envied and admired.’

‘For all her perfection you couldn’t help feeling that Lena was more blown together than built on a foundation.’

Bit by bit the family disintegrates and Lena loses her control over the life she had built for herself. She was unable to cope with the changes forced upon her by the war and with no inner resources to call upon, she was extremely needy and neglected her children.

In Saplings, Streatfeild examines the effect of trauma and separation on children. Her ability to view the world from a child’s perspective is just superb. I was reminded in some ways of Dorothy Canfield Fisher’s book, The Homemaker. They are very different books (I think Fisher’s is the better written one) and Saplings is definitely a much darker story, but both authors display very astute insights into how children interpret their experiences of the world and the attitudes of those around them.

It was interesting that while there were a number of kindly and warm-hearted people in the lives of the Wiltshire children, Streatfeild often concerned herself with the seemingly small comments, attitudes and decisions that can impact children who are already insecure. She uses the thoughts of these people to highlight their concerns about each of the children's inner struggles and does this very well.

This is definitely an adult book, unlike many of her others which were written for children.
It felt unfinished to me. I really wanted a more decisive closure but I think that was possibly Streatfeild’s way of showing the nature of trauma and its lingering effects.
This book has been republished by Persephone Books. I love their covers!

London Blitz, 1941

Linking to Back to the Classics Challenge 2020 for a Classic About a Family;
Reading Classic Books: 3) Read a classic that takes place in a country other than where you live & to the Classics Club

Back to the Classics: The Home-Maker by Dorothy Canfield Fisher (1924)

The Home-Maker by Dorothy Canfield Fisher is a unique book; intelligent, thoughtful, and beautifully written. The author is probably better known for her children’s book, Understood Betsy (1916), a story that demonstrates her knowledge and understanding of children, so it’s not surprising that The Home-Maker also explores this aspect, delving even more deeply into the needs of children and the importance of the home atmosphere.

It has been described as a feminist novel as the mother gets the chance to follow a career rather than be confined at home doing work that frustrates her no end, but the author told her publisher that the book ‘should be taken as a whoop not for “women’s rights” but for “children’s rights.”’

Dorothy Canfield Fisher examines the roles of mothers and fathers in a small American town setting with a great deal of sympathy. Eva, the mother in the story, is a vigorous and highly capable woman, a perfectionist, who feels thwarted by the never ending duties of her household. She loves her children but is so caught up in the minutiae of everyday life that she has no time to enjoy or understand them. Lester, her husband, is a poet and a thinker whose workplace is a misery to him. He has no time for the thought life he needs and hates the materialistic focus of his work. They are both frustrated by his inability to advance and bring home a decent wage.

The real strength of this book comes from the author’s perception of the inner worlds of the couple’s three children, Helen, Henry, and Stephen. I think a book from a purely feminist point of view would have made Eva’s predicament the primary focus but everything that happens in the story is filtered through the children and their needs. Even the father and mother grapple with what is best not just for themselves but for their children.

Lester felt that his employer was exploiting the home-maker by hammering the idea that it was all about good furniture, fine table linen, expensive rugs and well-made clothes. This conspiracy to force women into the  slavery of possessions sickened him:

'...how about keeping alive some intellectual or spiritual passion in the home? How about the children? Did anybody suggest to women that they give to understanding their children a tenth part of the time and real intelligence and real purposefulness they put into getting the right clothes for them?'

When Lester has an accident that almost kills him and is left crippled and confined to a wheelchair, Eva goes out to work while he stays home and they both find great satisfaction and purpose in their new roles.
After a period of time Lester begins to have signs that signal his recovery. He keeps this to himself and considers the future, feeling that Tradition was against him. The Tradition that said:

'...men are in the world to get possessions, to create material things, to sell them, to buy them, to transport them, above all to stimulate to fever-heat the desire for them. It decreed that men are of worth in so far as they achieve that sort of material success, and worthless if they do not.’

He wonders how they could work around this problem:

'Would it be possible for both of them to work, he and Eva? Other parents did sometimes. The idea was that with the extra money you made you hired somebody to take care of the children. If before us accident anyone had dreamed of Eva’s natural gift for business, he would have thought the plan an excellent one. But it was only since his accident that he had had the faintest conception of what ‘caring for the children’ might mean. Now, that he had lived with the children, now that he had seen how it took all of his attention to make even a beginning of understanding them, how it took all of his intelligence and love to try to give them what they needed spiritually and mentally...no!

You could perhaps, if you were very lucky - though it was unlikely in the extreme - it was conceivable that by paying a high cash price you might be able to hire a little intelligence, enough intelligence to give them good material care. But you could never hire intelligence sharpened by love. In other words you could not hire a parent. And children without parents were orphans.

'...You can’t ‘hire’ somebody to be a parent for your children!’ he thought again, passionately. They are born into the world asking you for bread. If you give them a stone, it we’re better for you that that stone were hanged about your neck and cast into the sea.'

The more he was immersed in the care of his children and the running of the home, the more aware he became of society’s lack of respect for that unpaid work.

'Why, the frantic feminists were right, after all. Under its greasy camouflage of chivalry, society is really based on a contempt for women’s work in the home. The only women who were paid, either in human respect or in money, were women who gave up their traditional job of creating harmony out of human relationships, and did something really useful, bought or sold or created material objects.'

The Home-Maker is a timeless gem of a book. The issues the author tackled in 1924 are still relevant. We hear so often that we can ‘have it all’ in the context of career and children but this story questions that notion. Rush and hurry, timetables and rigid schedules, can be obstacles to communication and understanding, as is so poignantly shown when Lester discovers the reason for his youngest son’s savage behaviour.

How’s this for a description of the angry little boy?

‘He...sat...dry-eyed, scowling, a magnificent sulphurous conflagration of Prometheus flames blazing in his little heart.’

Dorothy Canfield Fisher wrote from her own experience in this area. Her husband, John Fisher, volunteered in the Ambulance Service in Paris during the First World and afterwards was physically immobilised for some time, losing status and opportunities for advancement. At the same time Dorothy’s writing gained a large audience and invitations to speak around the country. John supported her role as the celebrity and breadwinner while finding ways to express his own interests and skills.
Dorothy believed that whatever the convictions or fashions of society, if a man and woman are able to construct with their children a life in common which keeps them reasonably happy, healthy, good and strong, with a permanent affection for each other, then they have made a successful marriage, no matter what pattern it might take.

Persephone Books is one of my favourite publishers. I have a tendency to judge a book by its cover and the Persephone covers are definitely attractive!

The Home-Maker is my choice of a book in the Classic From the Americas or Carribean category for the 2019 Back to the Classics Challenge @ Books&Chocolate.