Sunday, 20 January 2019

Reading, Thinking, & Domesticity #5




Sometimes it's helpful having your birthday at the end of the year. It acts like a 'pause and reflect' moment before heading into a new year. On my birthday in December, my husband gave me a card with a list of things that happened in 2018:

*  Our third child got married
*  Our second grandchild (a boy this time) was born
*  Our first grandchild turned 1 & we started looking after her one day a week
*  One of our sons completed his plumbing apprenticeship
*  Another son had a major job change
*  Moozle, our youngest, became a teenager & had her Grade 7 Cello exam which she passed with honours
*  We did some home renovations and slept on camp mattresses on a tiled floor for 10 weeks. I ended up with a compressed nerve in my neck and had to have a few weeks of physio.
*  Moozle and I did a 1,600 km (1000 mile) round road trip together

He didn't write it on the card but this happened just before Christmas:

*  After having worked as a contractor for over two years with a company they decided to put my husband 'officially in the system.' This required a police check.
Said police check came back and he was called into the HR office and told to leave immediately as the police check showed a list of serious criminal offences dating back about 7 years, including time spent in prison.
My husband asked for details, said he'd never been to court (except to serve on a jury!) let alone prison, but they refused to give him any information.
He was told he could only appeal via the third party company who conducted the police check. This company sent him emails, which he didn't get because the company he works for locked him out of their system.
Eventually he received a copy of the report and it showed he was working at his present employment while supposedly serving a prison term! Mmmm. Knee jerk reaction from HR who didn't bother reading the report properly.
Ten days later, with no pay during that time, after much to-ing and fro-ing with his employer and the third party who had conducted the police check, he received word that he didn't have a criminal  record after all. No apology or acknowledgement from the third party that he had been falsely accused.

And, yes, he was compensated - well, his company paid him for the time he had off, humbly apologised etc. Most of his fellow workers were appalled and angry and a couple of them knew of others in similar circumstances & they weren't surprised.

This was a very interesting experience in light of our current climate here with the Government's latest Encryption Laws and privacy. We were privy to the details of another man's criminal record, and my husband was automatically deemed to be guilty and had no right to offer a defence to his employer.
It also made us realise how difficult it must be for anyone trying to find work after serving time in gaol.
Francis Schaeffer wrote these words in 1976 and I think they are relevant even more today:

'I believe the majority of the silent majority, young and old will sustain the loss of liberties without raising their voices as long as their own life-styles are not threatened. And since personal peace and affluence are so often the only values that count with the majority, politicians know that to be elected they must promise these things. Politics has largely become not a matter of ideals - increasingly men and women are not stirred by the values of liberty and truth - but of supplying a constituency with a frosting of personal peace and affluence. They know that voices will not be raised as long as people have these things, or at least an illusion of them.' 

World Watch List - a list of the 50 most dangerous countries for Christians. India has recently made it into the top ten on this list.

Children & dumbed down reading:

'50 years ago, parents read things to children that children could not read themselves, that were not directed primarily at the senses, and that contained deep formal and material lessons for the children...But it has never been a good thing to indulge the senses as an end in themselves. The senses have always tried to dominate the intellect and to distract us from what matters more.'

A Culture of Reading has some excellent reading suggestions.

An newspaper article I read last month:


Listening

Nicholas Clifford, Professor Emeritus at Middlebury Liberal Arts College in Vermont, USA, is a Librivox narrator I've listened to and I've enjoyed everything he's done. Fortunately, he has 79 solo recordings, many of them classics.  






The Vanishing Man by R. Austin Freeman (1862-1943) is an interesting mystery/crime novel with a focus on Ancient Egyptian artifacts and practices.
Many of Freeman's books feature the medical/legal forensic investigator, Dr John Thorndyke.  The Vanishing Man was published in 1911 and was also published as The Eye of Osiris.

My ongoing Hexie Quilt project that's taking me forever. Making progress, though.




Sisters



Friday, 11 January 2019

Mary Barton by Elizabeth Gaskell (1848)




Subtitled A Tale of Manchester Life, Mary Barton is the story of working class poverty in the industrial city of Manchester during the early to mid 1800’s. It was Elizabeth Gaskell’s first novel and in the preface she writes:

'Three years ago I became anxious (from circumstances that need not be more fully alluded to) to employ myself in writing a work of fiction.'

The circumstances she referred to was the death of her infant son from Scarlet Fever and her husband's encouragement to turn to writing to distract her from her grief as she’d previously had some work published in a magazine. And so out of her own grief comes this powerful first-hand account of the poverty-striken inhabitants of Manchester, the first Industrial City.

'I had always felt a deep sympathy with the care-worn men, who looked as if doomed to struggle through their lives in strange alternations between work and want; tossed to and fro by circumstances, apparently in even a greater degree than other men...
I saw that they were sore and irritable against the rich, the even tenor of whose seemingly happy lives appeared to increase the anguish caused by the lottery-like nature of their own.'

There are some similarities to North and South which was published about six years later: the agitations between the factory workers and the mill owners, the setting of industrial Manchester where she herself lived, and a romance, but Mary Barton is much bleaker and focuses on the plight of the working class during the depressed times of the ‘hungry forties.’
Mary’s life starts off quite well, with her father, John, in work and the family reasonably provided for, but tragedy enters their lives when Aunt Esther, her mother’s sister, disappears. The shock contributes to the death of Mary’s mother and with her death, John Barton’s life takes a downward turn.

'One of the good influences over John Barton’s life had departed that night. One of the ties which bound him down to the gentle humanities of earth was loosened, and henceforward the neighbours all remarked he was a changed man. His gloom and his sternness became habitual instead of occasional.'

'He would bear it all, he said to himself. And he did bear it, but not meekly; that was too much to expect. Real meekness of character is called out by experience of kindness. And few had been kind to him.'

Mary, who is a real beauty, catches the eye of the son of a rich mill owner and he pursues her. She is so caught up with the idea of a better life and becoming a lady that she spurns her childhood friend, Jem, who has his heart set on marrying her. The rich young man is infatuated with Mary but he has no plans for marriage. This situation echoes that of her Aunt Esther, although Mary does not yet know the circumstances of her Aunt's disappearance.

'Herself, a day, an hour ago; and herself now. For we have every one of us felt how a very few minutes of the months and years called life, will sometimes suffice to place all time past and future in an entirely new light; will make us see the vanity or the criminality of the bye-gone, and so change the aspect of the coming time, that we look with loathing on the very thing we have most desired. A few moments may change our character for life, by giving a totally different direction to our aims and energies.' 

John Barton becomes a Chartist and spokesman for the trade union and becomes more bitter as time goes on and he witnesses the suffering of his fellow workers and their families.

'So class distrusted class, and their want of mutual confidence wrought sorrow to both. The masters would not be bullied, and compelled to reveal why they felt it wisest and best to offer only such low wages; they would not be made to tell that they were even sacrificing capital to obtain a decisive victory over the continental manufacturers. And the workmen sat silent and stern with folded hands, refusing to work for such pay. There was a strike in Manchester.'

Mrs Gaskell was a contemporary of Charles Dickens and tackled many of the same issues that he did, but her characters were portrayed unsentimentally with balance, realism, sympathy, and without satire.
She was also a contemporary of Friedrich Engels (the co-author of The Communist Manifesto) who also wrote about the conditions of the working class during his 1842-1844 stay in Manchester.
The two authors had very different responses to the situation as may be seen in the story of Mary Barton.

As I mentioned earlier, Mary Barton is a bleak story. There are multiple deaths due to poverty, poor choices which lead to dire consequences, a murder mystery and a court-room scene. I was beginning to think everything was going to finish tragically, but it ended well. I thoroughly enjoyed this story and it kept me hooked throughout. Do yourself a favour and listen to the superb and authentic rendering by Tony Foster at Librivox. 
This is part of the summary I found at LibriVox:

'Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this 'Tale of Manchester Life'.


Mary Barton is available for Kindle and the book can be found here.

For information on Elizabeth Gaskell see the Timeline of her life and other areas of interest.

This is my choice for the Classic by a Woman in the 2019 Back to the Classics Challenge.









Monday, 7 January 2019

Christian Greats Challenge Book Reviews Page



Link up your book reviews for each of the ten categories below and leave a comment to let everyone know you’ve linked.🙂





Unnatural Death by Dorothy L. Sayers (1927)




An elderly lady suffering from cancer dies suddenly but her young doctor is suspicious. His patient was a tough old lady and he had given her another six months to live and here she is, dead, only days after his prognosis. He refuses to sign the death certificate with but no evidence of foul play after an autopsy, he is left looking like a fool.
Three years later, the doctor chances to overhear Lord Peter Wimsey and his good friend, Detective-Inspector Parker of Scotland Yard,  discussing a similar case as they sat at an adjacent table in a restaurant. The doctor interrupts their conversation to introduce himself and tell them of his own experience.
Lord Peter, of course, is immediately interested.

‘Do you know,’ he said, suddenly, ‘I’m feeling rather interested by this case. I have a sensation of internal gloating which assures me that there is something to be investigated. That feeling has never failed me yet - I trust it never will.’

And so Wimsey gets involved in the affair, enlisting the reluctant Parker of whom he says,
‘He’s the one who really does the work. I make imbecile suggestions and he does the work of elaborately disproving them.’

Evidence of foul play begins to show itself once Wimsey gets involved with the death of the old lady's maid and then an attempt is made on Wimsey's life. However, although there is a suspect, there doesn't appear to be a motive.
The banter between Wimsey and Parker, who later marries Wimsey’s sister Mary, is very entertaining. Parker is conservative and formulaic whereas Wimsey is as his name implies - whimsical.

Wimsey wants to introduce Parker to ‘a friend of his,’ ‘- rather an experiment...quite comfortably fixed in a little flat in Pimlico...’
Much to Parker’s surprise, Miss Climpson was not a love interest but a middle-aged single lady with Edwardian-styled iron-grey hair, covered by a net, who would have made a very good lawyer but had never had the education or the opportunity.
She was a kind of ‘inquiry agent’ for Wimsey: his ears and his tongue. Wimsey believed Miss Climpson to be ‘a manifestation of the wasteful way in which this country is run,’ and that women like her who are ‘providentially fitted’ for work carried out by 'ill-equipped policemen’ are allowed to go to waste.

So far I’ve read seven out of fifteen of Sayers’ Lord Peter Wimsey books. Unnatural Death is the third in the series and although it’s not her best it’s still a jolly good read.
Sayers doesn’t write down to her readers. Her characters and plots are rich and full of detail with frequent allusions to literature and sundry interests leaving the reader with a knowledge of such diverse topics as advertising, bell-ringing, Shakespeare, and architecture.

I chose this book for No. 9 of my Christian Greats Challenge: A Good Old Detective or Mystery Novel Mystery. J.I Packer called this type of novel, 'stories of a kind that would never have existed without the Christian gospel. Culturally, they are Christian fairy tales, with savior heroes.'

Towards the end of this book, Wimsey is looking for Miss Climpson and stops at the church she attends during the week to see if she is there. Not finding her, on impulse he asks the priest, Mr Tregold, for advice on a moral problem, a ‘hypothetical case,’ that involved killing a person who was going to die, who was in awful pain, kept under morphia etc.

‘I know you’d call it a sin, of course, but why is it so very dreadful? It doesn't do the person any harm, does it?'

‘I think,’ said Mr Tredgold, ‘that the sin - I won’t use that word - the damage to Society, the wrongness of the thing lies much more in the harm it does the killer than in anything it can do to the person who is killed. Especially, of course, if the killing is to the killer’s own advantage...’

The Lord Peter Wimsey crime series are in print and available here.




Monday, 31 December 2018

Christian Greats Challenge 2019 Book List




These are the books I'm considering for the Christian Greats Challenge in 2019. Some of them are re-reads that I'd like to re-visit after a long separation. For details of the challenge see my original post here.


1)  A Book on Early Church History: 

On the Incarnation by Athanasius


2)  A Book About a Prominent Christian Who Was Born Between 500 A.D & 1900

Not shown in the picture above as I haven't decided yet :)


3)  A Christian Allegory

Hinds' Feet on High Places by Hannah Hurnard (a re-read because I just found a beautiful copy with watercolour illustrations) or Out of the Silent Planet by C.S. Lewis


4)  A Book on Apologetics 

Mere Christianity by C.S. Lewis


5)  A Philosophical Book by a Christian Author

Tending the Heart of Virtue by Vigen Guroian


6)   A Missionary Biography 

L'Abri by Edith Schaeffer (re-read) or Chasing the Dragon by Jackie Pullinger


7)  A Seasonal Book 

Marian @ Classics Considered linked to some ideas on Lenten reads which sparked my interest so there are a few ideas running through my head which I'll mull over for awhile.


8)  A Novel with a Christian Theme

Les Miserables by Victor Hugo


9) A Good Old Detective or Mystery Novel

Unnatural Death by Dorothy Sayers. I would really like to re-read her books that include Harriet Vane who becomes Lord Peter Wimsey's wife but I can't find them & think my older children must have taken them when they left home. Looks like I might have to buy my own copies.


10)  A Substitute

Every Good Endeavor by Timothy Keller







Thursday, 20 December 2018

Announcing the '2019 Christian Greats Challenge: Past & Present'





The Purpose of the Challenge


There are a few reasons I decided to run this challenge:

* I enjoy the community aspect of blogging about books & thought it would be fun to host a challenge with a link-up & get to visit & comment on other blogs.

* I have a number of books by Christian authors on my shelves.  I'd like to read these & a challenge will help to spur me on.

* I've been surprised by the sheer number of classic authors whose writings contain dominant Christian themes. Many of these authors were not professing Christians but they had imbibed a Christian ethos that is evident in their writing.

* As I was reading 'Surprised by Joy' by C.S. Lewis this year he spoke of his 'chronological snobbery' before he became a Christian. He defined this as, ‘the uncritical acceptance of the intellectual climate common to our own age and the assumption that whatever has gone out of date is on that account discredited.’

Studying/reading history whether it be world history in general or Church history specifically, helps to counter this snobbery. 

* And lastly...

'A child is born in an obscure village. He is brought up in another obscure village. He works in a carpenter shop until he is thirty, and then for three brief years is an itinerant preacher, proclaiming a message and living a life. He never writes a book. He never holds an office. He never raises an army. He never has a family of his own. He never owns a home. He never goes to college. He never travels two hundred miles from the place where he was born. He gathers a little group of friends about him and teaches them his way of life. While still a young man, the tide of popular feeling turns against him. One denies him; another betrays him. He is turned over to his enemies. He goes through the mockery of a trial; he is nailed to a cross between two thieves, and when dead is laid in a borrowed grave by the kindness of a friend.
Those are the facts of his human life. He rises from the dead. Today we look back across nineteen hundred years and ask, What kind of trail has he left across the centuries? When we try to sum up his influence, all the armies that ever marched, all the parliaments that ever sat, all the kings that ever reigned are absolutely picayune in their influence on mankind compared with that of this one solitary life…'


Dr James Allan Francis, 1926


Categories

1)  A Book on Early Church History
(up to about 500 A.D) or a book written by a key figure who lived during that time, or a biography about that person. Examples:

The New Testament Book of Acts
Eusebius
Athanasius
Augustine of Hippo
Selected chapters from a book on Church History: e.g. 'Christianity Through the Centuries' by Earle E. Cairns.
A well-written children's book is also acceptable e.g. Simonetta Carr's biographies.


2)  A Book About a Prominent Christian Who Was Born Between 500 A.D & 1900 

Francis of Assisi
Joan of Arc
John Wycliffe
Martin Luther
William Wilberforce
Dietrich Bonhoeffer
A good children's adaption may be used.

3)  A Christian Allegory

Pilgrim's Progress or The Holy War by John Bunyan
One (or more!) of The Chronicles of Narnia or The Space Trilogy C.S. Lewis
Books by George MacDonald


4)  A Book on Apologetics 

e.g. Authors such as Ravi Zacharias, Francis Schaeffer, Josh McDowell, G.K. Chesterton


5)  A Philosophical Book by a Christian Author

This could be on Education, Virtue, Morals, Worldview or Ethics. Some ideas: books by Anthony Esolen, Charlotte Mason, Stratford Caldecott, David Hicks, Vigen Guroian.


6)   A Missionary Biography or A Biography of a Prominent Christian who lived any time between 1500 A.D to 1950 A.D


7)  A Seasonal Book 

Pick a time of the year such as Lent, Easter, Christmas, Advent, a Saint's Day, an Anniversary/event  in the Church Calendar, and read a book for yourself or choose a book to read to a child. Paraclete Press have some good selections. 


8)  A Novel with a Christian Theme

E.g. forgiveness, redemption, self-sacrifice, grace. It doesn't have to be written by a Christian but the theme needs to play a prominent part in the story e.g. Les Miserables by Victor Hugo, The Scarlet & the Black by J.P. Gallagher, A Tale of Two Cities by Charles Dickens, Anna Karenina by Leo Tolstoy.

9) A Good Old Detective or Mystery Novel...Why??

This is what J.I. Packer said:

'...these are stories of a kind that would never have existed without the Christian gospel. Culturally, they are Christian fairy tales, with savior heroes and plots that end in what Tolkien called a eucatastrophe—whereby things come right after seeming to go irrevocably wrong. Villains are foiled, people in jeopardy are freed, justice is done, and the ending is happy. The protagonists—detectives, Secret Service agents, noble cowboys and sheriffs, or whatever—are classic Robin Hood figures, champions of the needy, bringers of merited judgment and merciful salvation. The gospel of Christ is the archetype of all such stories. Paganism unleavened by Christianity, on the other hand, was and always will be pessimistic at heart.'

Some worthy authors: Josephine Tey, Dorothy Sayers, Margery Allingham, G.K. Chesterton, Rex Stout, John Buchan.


10)  A Substitute - choose a book by any of the authors below in place of one of the above categories:

Timothy Keller
A.W. Tozer
Patricia St. John
Jan Karon
Wendell Berry
C.S. Lewis
Edith Schaeffer
Elizabeth Goudge

OR

Choose a second book from a category you like


Guidelines

Write a blog post with a list of books you think you might get to read for each category and link it below. (Update: link here)
When you finish a book, write a review and link it here with the name of the book in brackets. Use hashtag #christiangreats if posting on social media.

The aim is to enjoy the books and stretch yourself by reading outside your normal parameters or by introducing yourself to a new author. It's not to make you feel pressured so you're welcome to join in even if you only read from one or two categories.
Feel free to copy the image for your blog.










Monday, 17 December 2018

Back to the Classics Challenge 2019!!




1. 19th Century Classic. Any classic book originally published between 1800 and 1899.

The Return of the Native by Thomas Hardy (1878)


2. 20th Century Classic. Any classic book originally published between 1900 and 1969.

In This House of Brede by Rumer Godden (1969)


3. Classic by a Female Author.

A Josephine Tey title...or George Eliot??


4. Classic in Translation.

War & Peace by Leo Tolstoy (1867) or something by Jules Verne or 


5. Classic Comedy. Any comedy or humorous work.

Three Men in a Boat (1889) by Jerome K. Jerome or a book by Gerald Durrell


6. Classic Tragedy.

? The Great Gatsby by F. Scott Fitzgerald (1925)


7. Very Long Classic.

Les Miserables by Victor Hugo (1862) or ??


8. Classic Novella. Any work of narrative fiction shorter than 250 pages.

The Death of Ivan Ilyich by Leo Tolstoy (1886)


9. Classic From the Americas (includes the Caribbean). Includes classic set in either continent or the Caribbean, or by an author originally from one of those countries.

I have no idea...maybe something by Willa Cather, Edith Wharton or Rex Stout


10. Classic From Africa, Asia, or Oceania (includes Australia).

The Makioka Sisters by Junichiro Tanizaki (Japan, 1943) or a Nevil Shute title (Australia);


11. Classic From a Place You've Lived. Read locally! Any classic set in a city, county, state or country in which you've lived.

So for me, this is either Scotland, Australia or New Zealand.


12. Classic Play. Any play written or performed at least 50 years ago.

I'll be going with Shakespeare. Perhaps The Merchant of Venice.



For details of the 2019 Back to the Classics Challenge see Karen's guidelines at Books & Chocolate.





Saturday, 15 December 2018

Back to the Classics 2018 - Final Wrap-up




These  are the books I've read this year for the Back to the Classics Challenge hosted by Karen at  Books & Chocolate. I finished all 12 categories so have 3 entries in the draw.

This is my fourth year to complete this challenge and I plan to sign up again for 2019. If you are planning to do the challenge next year feel free to say hi in the comments and put a link to your post with the books you plan to read.
My original list was a little different to what I actually did but what I like about Karen's challenge is the flexibility she allows.
I don't usually have a rating system but I thought I'd try it out with these books: 


19th Century Classic - The Refugees by A. Conan Doyle (8/10) Good but some of his other historically based books are better

20th Century Classic - Beau Geste by P.C. Wren (8/10) An unusual mystery in an unusual setting

Classic by a Woman Author - The Daughter of Time by Josephine Tey (9/10) I've loved everything I've read by this author

Classic in Translation - Kristin Lavransdatter by Sigrid Undset (9/10) Raw, powerful story

A Children's Classic - Linnets & Valerians by Elizabeth Goudge (7/10) Good writing but I had misgivings about some of the content

Classic Crime Story - And Then There Were None by Agatha Christie (6/10) The awful characters  in this story made it hard for me to feel any connection with it. Christie was clever, but I don't always like her writing.

Classic Travel or Journey - Sick Heart River by John Buchan (8/10) Buchan is one of my favourite authors. This book is more philosophical than some of his others. It's good but I've enjoyed some of his other books more than this one.

Classic With a Single Word Title - Catriona by R.L. Stevenson (7/10) Good story but it rambles somewhat.

Classic With a Colour in the Title - Green Dolphin Country by Elizabeth Goudge (8/10)

Classic by a New-to-You Author - The Rosemary Tree by Elizabeth Goudge (7/10) Both books by Goudge were good reads. her writing is  beautifully reflective.

Classic That Scares You - Anna Karenina by Leo Tolstoy (10/10) What more can I say than that Tolstoy was a marvellous writer?

Re-Read a Favourite Classic - Mr. Standfast by John Buchan (10/10) This was the third time I've read this book and I've appreciated it more each time I've read it.






Wednesday, 12 December 2018

Back to the Classics: Anna Karenina by Leo Tolstoy (1873-1877)

 One of the problems with classic literature is that we may think we know what the book is about before we even read it. I can think of many classic books that I’ve never read but could tell you their basic plot.

*SPOILER ALERT*

This was the problem I had with Anna Karenina because my ‘knowledge’ of it was basically:  Woman commits adultery and ends up throwing herself under a train. It was written by a Russian, so of course, it would have a mass of various names, patronyms, and diminutives to confuse the reader. I’d also never read anything by Tolstoy before so had no idea he was such a brilliant writer and that I could trust to his expert skill.

But, oh my! What a book this turned out to be. And what a shame to believe you know the crux of the story and to put off reading it because of this. I’m just very thankful I finally decided to read it.
I’m not going to attempt a ‘review’ but will share some thoughts, impressions, and quotations, and hopefully, if you’ve put off reading A.K. for whatever reason, you might just be persuaded to give it a go.



‘All happy families are alike; each unhappy family is unhappy in its own way.’

Tolstoy jumps into his narrative with the observation above.
Family, community, and society are central to the story as are country life and city life. Tolstoy was a master when it came to characterisation and getting into people’s heads. There are seven main characters in Anna Karenina and he succeeds in allowing the reader a certain intimacy and empathy with each of them.
Prince and Princess Shcherbatsky have three daughters. One is happily married, another unhappily, and the youngest has just refused Levin’s offer of marriage and has had her head turned by the dashing Vronsky. The Prince thought highly of Levin but his wife disliked him in ‘his sharp judgements, his awkwardness in society (caused, as she supposed, by his pride), and his, in her opinion, wild sort of life in the country.’ 
She thought that Vronsky was far superior but the Prince was furious with his wife for her attempts at matchmaking:

‘It’s loathsome, loathsome to look at, and you’ve succeeded, you’ve turned the silly girl’s head. Levin’s a thousand times the better man. And this little fop from Petersburg - they’re made by machine, they’re all the same sort, and all trash...I see a man who has serious intentions, that’s Levin; and I see a popinjay like this whippersnapper, who is only amusing himself.’

Vronsky had never know family life, barely remembered his father, and had no respect for his mother:

‘In his soul he did not respect her and, without being aware of it, he did not love her, though...he could not imagine to himself any other relation to his mother than one obedient and deferential in the highest degree, and the more outwardly obedient and deferential he was, the less he respected and loved her in his soul.’

‘Vronsky...despite the full realisation of what he had desired for so long, was not fully happy. He soon felt that the realisation of his desire had given him only a grain of the mountain of happpiness he had expected. It showed him the eternal error people make in imagining that happiness is the realisation of desires.’


Levin was an interesting person, full of self-doubt, idealistic ideas, and awkwardness. Tolstoy opens the window into his mind and his inner struggles and it was quite comical at times.

‘I need physical movement, otherwise my character definitely deteriorates.’


In Part Seven, Chapter XIV, Levin’s wife is having her first baby and Levin was convinced she was dying. He doesn’t understand how the doctor can sit in another room smoking and chatting...

‘Suddenly there was a scream unlike anything he had ever heard. The scream was so terrible that Levin did not even jump up, but, holding his breath, gave the doctor a frightened, questioning look. The doctor cocked his head to one side, listened, and smiled approvingly.’


When he went into the room his wife seized his hands and said, ‘Don’t leave, don’t leave!’ and then pushed him away.

‘No it’s terrible! I’ll die, I’ll die! Go, go!’ she cried, and again came that scream that was unlike anything in the world.’
‘Doctor! What is it? What is it? My God! he said, seizing the doctor by the arm as he came in.
‘It’s nearly over,’ said the doctor. And the doctor’s face was so serious as he said it that Levin understood this ‘nearly over’ to mean she was dying.


Around the time I was reading this part of the book, our eldest son and his wife had their first baby. My daughter-in-law had a long labour and then delivered a whopping 11 pound boy. When our son rang us he said he had no idea that childbirth was going to be like what they experienced.
‘It was brutal!’ were his words. I immediately thought of Levin.

Levin had rejected his childhood beliefs and tried to reason his way through life. He undergoes some dramatic changes, struggling with his idealistic ideas that fall flat in real life.

...while his wife was giving birth an extraordinary thing had happened to him. He, the unbeliever, had begun to pray, and in the moment of praying he had believed.

Dolly, married to Anna Karenina's philandering brother, Stepan, felt that she had lost herself in the process of being a mother. Alone in a carriage on her way to visit Anna she has time to reflect on her fifteen years of marriage,

'pregnancy, nausea, dullness of mind, indifference to everything,,and, above all, ugliness...Labour, suffering, that last moment...then nursing, the sleepless nights, the terrible pains...'

Released from her everyday cares, she falls into a reverie where she questions the point of it all and considers that she should have left her husband and found happiness somewhere else. 
As she spends time with Anna and her crowd, she has a feeling of unhappiness and that she is poorly playing a part in the theatre with actors better than her.
She decides to go home earlier than intended:

Those painful cares of motherhood that she had hated so on her way there, now, after a day spent without them, presented themselves to her in a different light and drew her to them.


Tolstoy describes Anna Karenina as she follows a course that rapidly changes everything in her life and her exclusion from the society she desperately needed to belong to.

Anna said whatever came to her tongue, and was surprised, listening to herself, at her ability to lie. How simple, how natural her words were...She felt herself clothed in an impenetrable armour of lies. She felt that some invisible force was helping her and supporting her.

Towards the latter part of the book the stream of consciousness narrative that Tolstoy uses with regards to Anna is superb and reminded me of Dostoevsky’s character, Raskolnikov, in Crime and Punishment - psychotic and paranoid.

Death is a theme throughout and interestingly, only one chapter has an actual title and that is Ch XX - ‘Death.’
I could fill this blog with excerpts from this outstanding novel but so much needs to be read in context. It is multilayered, thought-worthy and deeply spiritual. I don’t know how Tolstoy managed to intersperse so much humour amid the pathos and tragedy, but he did. And to my surprise, I was able to keep up with the Russian names quite well, referring to the 'List of Principal Characters' at the front to the book - Crime & Punishment confused me no end with that side of things.
An impressive book in all respects!

Book Depository has 53% off the lovely Penguin HB pictured above at the time of writing. This edition was translated by Richard Pevear and Larissa Volokhonsky and it flowed beautifully.
The free Kindle version here is translated by Constance Garnett, which I haven't read so can't comment on, but she is highly regarded as a translator.


Updated to add some articles on translations of Anna Karenina:

https://www.nytimes.com/2014/12/28/books/review/new-translations-of-tolstoys-anna-karenina.html

https://mirabiledictu.org/2016/06/05/translations-of-anna-karenina-constance-garnett-maude-or-pevear-volokhonsky/

https://www.theguardian.com/books/2014/sep/05/anna-karenina-tolstoy-translation



Linking to Back to the Classics 2018 - Classic That Scares You





Wednesday, 21 November 2018

On Being an Initiator


The other month I wrote about bringing our children into ‘a large room’ where the doors are open to a wide and generous curriculum. In School Education, Pg 170, Charlotte Mason points out that we have a responsibility to our children to ‘...initiate an immense number of interests.’

The idea of being an initiator was sparked in me years ago during a time of disappointment. A wise friend who knew my situation said some words to me at the time that I’ve never forgotten: 'Not many people are initiators.' I’ve found that to be generally true, unfortunately, so it made sense to me that Charlotte Mason addressed this in the context of education.
I decided to check out what the word ‘initiate’ implies.

The dictionary says that to initiate means to:

Begin
To do the first act
Invest
Pioneer
Originate
Break the ice
Get the ball rolling
Set in motion

So when Charlotte Mason states that we owe it to our children to initiate an immense number of interests, she means that we are responsible for the initial action. We get the ball rolling and do some investing. We don’t leave it to the child to do the initiating. Not that we shouldn't allow them their own interests, but when it comes to educational philosophy and direction, the responsibility is ours. Unless, of course, you believe in child-led education, which Charlotte Mason didn't espouse and neither do I.

A Practical Example

We’ve been doing Picture Study in our home for twenty-odd years - that is, we pick an artist and study about six of his/her paintings a term. It’s very simple. We just look at the picture and later we might describe it or draw a sketch of what we remember of its composition, the emphasis being on observing and appreciating the artist’s work.
If I know something of the artist’s life or have a short biography (the boys really liked the Mike Venezia books when they were younger) they might read that.

Charlotte Mason made this observation:

...I know that you may bring a horse to the water but you can't make him drink. What I complain of is that we do not bring our horse to the water. 

I initiated the introduction to the world of art, led them to the water, and they gained an appreciation of great art. That was important to me and I love how the Charlotte Mason method doesn’t consider the study of great works of art an optional extra.
Along comes my seventh child and from an early age she was drawn to art and loved to draw. I did the same as I’d done with the others but she wanted to draw all the time and especially liked to draw people. I had piles of sketchbooks that she’d filled but as time went on she started getting frustrated with how her drawings looked.

There's another version of the proverb above:

You may bring a horse to water but you can't make him drink, however, you can put salt in his oats!

Creating a thirst is something else we can do as initiators.
I had a few home education art resources but they didn’t inspire my daughter much so I started looking for an art teacher to give her lessons. She had about five or six lessons from a couple of different people but they weren’t able to continue for different reasons. She enjoyed the lessons and they did teach her techniques which helped her. I bought her some good quality paints and pencils and continued to look for ways to develop her interest in this area.
An area I had to encourage her in was perseverance. A piece of work could be spread over time, just like we spread a book out, a chapter per week, or in her case with art, a bit of time each day on piece of art that required a fair bit of work. This helped her with her observation and drawing skills, as well as the practice of perseverance. This is one of her works in progress:





Earlier this year we signed up for a free six week Natural History Illustration course with the University of Newcastle. This was so timely and helpful and there’s been a noticeable difference and improvement in her art. (See some examples of the type of work she did here & here.)
Recently we found some art tutorials in YouTube which have been great, also.

We continue with Picture Study and sometimes an artist inspires her in a particular way. This week I showed her this Mannerist painting by El Greco. It’s one I was drawn to many years ago and she had a similar response to it:


View of Toledo by El Greco (1600)


We've had to work through some difficulties in different area of our children's education. From music teachers to foreign language resources, we've had bumps in the road. One of the most important resources is prayer but it's often something I forget about until everything else fails! We've had some pretty awesome answers when we've focussed on praying for a specific educational need.
I've learned that nothing is too insignificant to put before the Lord.

These are some of the YouTube videos that my daughter's been using recently to help with her art work.



Wednesday, 14 November 2018

My Place by Sally Morgan (1987)




My Place by Sally Morgan is an autobiographical account of three generations of Aboriginal women: Sally, her mother Gladys, and Sally’s grandmother, Daisy. Sally writes of her experiences growing up in suburban Perth during the 1950’s and 1960’s and her search for truth and identity after she discovers her Aboriginal heritage.
Although her mother and grandmother were Aboriginal, Sally and her siblings had a white father and they grew up ignorant of their Aboriginal background. Their mother told them they were Indian and didn't speak about the past.
Bill, their father had been a prisoner of war in Germany during WWII before he married Gladys and was a troubled man who sought relief in alcohol and frequently required hospitalisation. He didn't want anything to do with his wife's relatives and died when Sally was nine years of age.
My Place is written in a simple, vernacular style and although Sally is the main author, Gladys, her mother, Nan, and Nan’s brother, Arthur Corunna all tell their individual stories in the book. As I was reading Arthur’s Story, it reminded me of Albert Fahey’s account in A Fortunate Life of growing up in the Australian bush in the early 1900’s. There are some close similarities in the way they were both treated as young impoverished boys working in the outback during the Depression years.
Sally was fifteen before she realised she was Aboriginal and tells of her shock at discovering that her Grandmother, Nan, was black and therefore she must be also. Things began to make sense now she had this knowledge but it also raised more questions than answers:

What did it really mean to be Aboriginal? I’d never lived off the land and been a hunter and a gatherer. I’d never participated in corroborees or heard stories of the Dreamtime. I hardly knew any Aboriginal people. What did it mean for someone like me?

I was often puzzled by the way Mum and Nan approached anyone in authority, it was as if they were frightened...why on earth would anyone be frightened of the government?

In 1982, Sally travelled to her grandmother’s birthplace in the Pilbara and began to piece together the past. As she unearthed her roots, her questions and probing helped to draw out her mother and grandmother’s memories that up until this time had been kept to themselves. Her Uncle Arthur was the first person to talk to Sally about the past. When he was about eleven or twelve years old he was taken from Corunna Downs in the Pilbara to the Swan Native and Half-Caste Mission near Perth:

One day I'd like to go back to Corunna Downs...
Aah, I wish I'd never left there. It was my home. Sometimes I wish I'd been born black as the ace of spades, then they'd never have took me. They only took half-castes.

...They told my mother and the others we'd be back soon. We wouldn't be gone for long, they said...They didn't realise they wouldn't be seein' us no more. I thought they wanted us educated so we could help run the station some day, I was wrong.

Gladys’ words:

Bill had only been dead a short time when a Welfare lady came out to visit us. I was really frightened because I thought if she realised we were Aboriginal, she might have the children taken away. We only had two bedrooms and a sleepout and there were five children, as well as Mum and me.
This woman turned out to be a real bitch. She asked me all sorts of questions and walked through our house with her nose in the air like a real snob. She asked where we all slept, and when I told her Helen slept with me, she was absolutely furious. She said, 'You are to get that child out of your bed, we will not stand for that. You work out something else, the children aren't to be in the same room as you. I'll come back and check to make sure you've got another bed.'

...I just agreed with everything she said. I didn't want her to have any excuse to take the children off me.
It was after the visit from the Welfare lady that Mum and I decided we would definitely never tell the children they were Aboriginal.
I suppose, looking back now, it seems awful that we deprived them of that heritage, but we thought we were doing the right thing at the time.


Daisy's words:

In those days it was considered a privilege for a white man to want you, but if you had children, your weren’t allowed to keep them. You was only allowed to keep the black ones. They took the white ones off you ‘cause you weren’t considered fit to raise a child with white blood.
I tell you it made a edge between the people. Some of the black men felt real low, and some of the native girls with a bit of white in them wouldn’t look at a black man. There I was stuck in the middle. Too black for the whites and too white for the blacks.

Something to be aware of and that stood out to me was the different spiritual beliefs of the three women. Gladys and Sally had some Christian influence in their lives but it became blended with what they had imbibed of their Aboriginal beliefs from their grandmother so that their spiritual lives were a mix of ideas and they explained some of their experiences using this admixture. Daisy, on the other hand had a greater respect for the dangers of meddling in the spiritual dimension:

Gladdie was silly in those days. always wantin' to know her future. She didn't know what she was meddlin' with. You leave the spirits alone. You mess with them, you get burnt. She had her palm read, her tea-leaves read, I don't know what she didn't get read. I never went with her to any of these fortune-tellers. They give you a funny feeling inside. Blackfella know all 'bout spirits. We brought up with them. That's where the white man's stupid. He only believes what he can see. He needs to get educated. He's only livin' half a life.


My Place has been used in High Schools in Australia in Years 9 /10. It's definitely a book for older students and I'd recommend it as a read aloud and discuss otherwise preview for language and mature themes.

How deprived we would have been
if we had been willing
to let things stay as they were.
We would have survived,
but not as a whole people.
We would never have known 
our place.


Be aware that there is another book with the same name by Nadia Wheatley but it's a children's picture book that looks at the history of one particular piece of land in Sydney from 1788 to 1988 through the stories of the various children who have lived there.