China Court (1961) by Rumer Godden

 

China Court – how can I describe this novel which has overtaken In This House of Brede as my favourite book by this author? This gem has languished on my shelves until the other day when I decided I need to be more serious about reading the books I already have. I joined in with Rose City Reader’s TBR 23 in ’23 Challenge at the beginning of the year in order to make some headway on my TBR but I’ve been derailed by the tug of more book finds. After I’d finished reading China Court I had a look through some of the other books I’ve had for a while and was inspired to be more focused on the challenge – I bought these books for good reasons, after all.  

In This House of Brede, surprised me as it wasn’t really quite what I was expecting. China Court had the same effect. Set in Cornwall, it is a novel about five generations of a family. The story weaves back and forth between generations in the telling, which could be confusing, but Rumer Godden shows her skill by ignoring some of the niceties of grammar while keeping continuity and suspense. I loved this book so much that when it finished I wanted to start it over again – not something I ever do, but I found it so hard to put the characters, and the house, aside. I re-read parts and lingered over her beautiful descriptions of people, place, and their histories, and wondered how I could do the book justice. I can’t, so I apologise that my ‘review’ isn’t what I would like it to be.

The story focuses on a number of different characters that have been involved with the Quin family of China Court from around 1840 to 1960. Framing the novel, and later playing an integral part in the outcome of the story, is a medieval Book of the Hours. The central character linking the house and the characters is Mrs Quin, originally an outsider, and her granddaughter, Tracy.

Old Mrs Quin died in her sleep in the early hours of an August morning.

The sound of the bell came into the house, but did not disturb it; it was quite used to death, and birth, and life.
‘Cause of death, stopped living,’ wrote Dr Taft on the certificate…’

I counted over thirty characters who play significant roles in this novel and it’s a measure of Godden’s skill that I find I can readily picture them all. From Eustace and Adza and their brood of nine – the bitter and tragic Eliza who questioned why she knew so little and was told it was her girls’ school education and followed the advice given her,

’In this country, at this time, there is only one way to educate a girl…Turn her loose with books, guide her, but let her read.’

The tragic, arrogant Lady Patrick and her faithless husband, Jared; beautiful Damaris who pined her short married life away in the city when her heart was in the Cornish moors; Minna, the young girl so homesick for her snow-covered Swiss homeland and Groundsel who loved her,

To Minna, washing up is a thing of beauty…Groundsel, who has seen the other maids throw everything higgledy-piggledy into the sink, is charmed.

Peter, the young man Mrs Quin came to love almost as a son, believed in and helped him by letting him use her land of Penbarrow for his farming…‘How could you die?…I was going to surprise you.’ He had harvested his real crop, built his first hayricks, and at long last started his herd. Tonight or tomorrow now – ‘’Please God not tonight,’’ said weary Peter – his first calf would be born: it would be the firstborn, first fruit, and, little heifer or bull, he had planned to give it to Mrs Quin…The knell that had rung for Mrs Quinn had run for them all: China Court, Penbarrow, Peter, ‘finished.’

Mrs Quin, or Ripsie, as she was in her youth, was a thin, neglected, shabby little girl who loved China Court and hovered around on the edges, was loved and brought into the family by one of its members, ’For him she always has the waif look that tears his heart, and he knows he is undone.’

Five children were born and then the granddaughter, Tracy, whom Mrs Quin loved. Circumstances forced her and Tracy apart when Tracy was twelve years of age and went to America with her mother. Mrs Quin gave Tracy a key to the house and told her she would come back. Tracy always longed for the home at China Court. The rest of the family thought the place should be sold. It needed too many repairs; there was no gas or electricity; looking after the house was domestic tyranny!

When Mrs Quin died, the family gathered together at China House to hear the reading of the will and to know the old lady’s wishes. It was said that both Tracy & Mrs Quin were enslaved by China Court and Tracy was determined to fight to keep the house if she could.

‘To keep’ had become for Tracy the most important verb in the English language…It means to watch over, take care of, maintain.

A stunning book! I took the photo of my copy of the book with my flowering azalea in full throttle in the background. I thought it was very in-keeping with Mrs Quin’s garden. 

 

Blood Feud (1976) by Rosemary Sutcliff

 

Rosemary Sutcliff is considered to be one of the finest writers of historical novels for children, but her writing is appealing for adult readers as well. As she herself said, “I write for children aged 8 to 88.” This ability to appeal to a wide age range is obvious in Blood Feud. I was listening to a podcast on Ukraine (The Rest is History) which traced the country’s history and they mentioned this book. 

Blood Feud follows the fictitious character of Jestyn Englishman, part Saxon, part Briton (?) who was left an orphan at the age of twelve after his stepfather rejected him when his mother died.
A cattleherd gave him work and lodging and for five years he was quite happy. One evening a sudden storm broke and Jestyn was sent to get the yearlings to safety but they never made it home. A clash with a group of raiders ended up with him being taken to the Dublin Slave Market.
In Dublin Jestyn was bought by a young Viking named Thormod and became his thrall. When he helped save Thormod’s life he was set free and went with him when he returned to his homeland in Denmark.

The underlying thread of the story is that of a blood feud to avenge the murder of Thormod’s father. Jestyn joins his friend and blood brother in the Death Feud which takes the two of them as far as Miklagard, the Viking’s name for Constantinople, the Great City, where they fight under Khan Vladimir and later become a part of the Varangian Guard.
Historical characters in this novel include Basil II, Vladimir the Great, Anna, his future wife, and Bardas Phocas.

'But it was in that moment…there came to me for the first time an awareness of the Rus as a People, not just a southward swarming of the Viking hoards, with the Tribes as a kind of lesser folk ingathered along the way.'

Like all Rosemary Sutcliff’s superb novels, Blood Feud transports you to a lost world and immerses you in its history. The Byzantine world of the 10th Century and the clash of religion and cultures are fascinating.

Their journey east sees Jestyn and Thormond enlist on a ship bound for Kiev, down the Dvina and Dnieper rivers. See t here.he trade route

The-Varangian-Route.jpg (560×420) (shorthistory.org)

'The Dvina that flows north to the Baltic, and the Dnieper that goes looping southward past Kiev to the Inland Sea, rise many days apart in the dark forest heart of things; and ships making the river-faring must be man-handled across country from one to the other.'

The Byzantine era is a neglected period of history in books for young people. There are many books based on the Vikings but they focus on their activities in Britain and Europe so this book is unusual in that it looks to the east. It would suit anyone who enjoys an adventure and history. It also is a story of friendship and loyalty.

'We did not know that we were beginning the Emperor’s life ‘s work for him: the driving back of the Bulgarian frontier to what it was in Justinian’s day, bringing all the lands between Macedonia and the Danube, the Inland Sea and the Adriatic again into the Byzantine Empire. It is done now. Thirty years in the doing, and treaties made and treaties broken, and a whole captured Bulgarian Army blinded along the way. (The Emperor Basil is nothing if not thorough!)'

British Library Crime Classics: E.C.R. Lorac

I’ve been slowly collecting books published by the British Library Crime Classics. I judged these books by their covers when I came across my first one and haven’t been disappointed in those that I’ve read so far. John Bude and E.C.R. Lorac are the authors I’ve mostly read.

Murder in the Mill-Race by E.C.R. Lorac (1952) – like other books I’ve read by this author, it has an intriguing plot and is written in a literary style. When a murder occurs in a village in Devon, the residents are determined not to allow strangers to know their secrets and Chief Inspector Macdonald is hampered in his investigations. Macdonald is a very likeable cop with a great sense of humour and an ability to show compassion at the right time. Lorac was an important and influential Golden Age author and was particularly skilled in her descriptions of place and atmosphere. Some of her books, including this one, have a rural setting while others like the one below are set in London.

These Names Make Clues by E.C.R. Lorac – this story was first published in 1937 but languished in obscurity for more than eighty years until it was published by the British Library Crime Classics in 2021. It has the feel of the more traditional Golden Age crime novel with a locked room scenario.

Macdonald was invited to a Treasure Hunt party hosted by Graham Coombe and his sister, Susan. The attendees included detectives – in literary, psychological and practical fields of work who had never met each other. They were each given a pseudonym (Jane Austen, Laurence Sterne, Fanny Burney, Samuel Pepys…) and clues of a literary, historical and practical nature and instructions on where to find their next clue. And so the guests began their hunt, wandering through the house. About an hour into the party, the electricity suddenly went out. When it was eventually restored it was noticed that one of the guests was missing. The missing person was found dead of a suspected heart attack.

''The evening began as a farce and has ended in a tragedy.

It was an essential of detection to regard every contact in a case as dispassionately as the symbol of an equation; the likes and dislikes of a detective had to be kept apart from the reasoning mental processes whereby he assessed probabilities. With one side of his mind, Macdonald liked Graham Coombe and his sister. They were a friendly and amusing pair, whose qualities, imaginative and whimsical in the former, practical and sensible in the latter, made a good foil to one another.
With the other side of his mind, Macdonald had to consider how either – or both – would fit as culprits in this evening’s work.''

I’ve been reading Anne Perry’s William Monk series over the past few months. In a few of the books I’ve read the murderers actions seemed to be almost justified because of the dreadful situation they were in. In These Names Make Clues a similar situation occurs but Macdonald’s response was,

''From some acts there is no escape…If you take another person’s life, for no matter what reason of private anger or vengeance, your own is surely forfeit. You may escape punishment by the law, but your own awareness you never escape…murder never can be judged as a good method of righting other wrongs. I believe that,'' he added very simply and earnestly, ''otherwise my job would be an intolerable one.''

The Enchanted April by Elizabeth von Arnim

 

The Enchanted April, published in 1922, was written by the Australian-born British novelist, Elizabeth von Arnim (1866-1941). She left Sydney as a young child, moved to London and then to Europe, and never returned to Australia.

The delicate and delicious fragrance of the freesias came in through the door and floated round Mrs. Wilkins's enraptured nostrils. Freesias in London were quite beyond her. Occasionally she went into a shop and asked what they cost, so as just to have an excuse for lifting up a bunch and smelling them, well knowing that it was something awful like a shilling for about three flowers. Here they were everywhere— bursting out of every corner and carpeting the rose beds. Imagine it— having freesias to pick in armfuls if you wanted to, and with glorious sunshine flooding the room, and in your summer frock, and its being only the first of April!

The Enchanted April begins in London where Lottie Wilkins, a young married woman neglected and belittled by her husband, begins a conversation with Rose Arbuthnot, a woman she only knew by sight in their women's club. Rose was also in an unhappy marriage, not that she ever complained. Both women see a small Italian castle advertised in The Times and Lottie screws up her courage to approach Rose to suggest they take it for a month.

Neither of them being big spenders, they decide to find two other ladies to come as well, but when all four of them arrive at their destination, personalities clash and the holiday has all the makings of a great disappointment.

However, the magic of the place works itself into the lives and hearts of all four and by the end of the four weeks of April major changes have taken place. 'Beauty made you love, and love made you beautiful...'

I'd describe this story as a sort of modern fairytale. At first I thought the story was going to involve marriage break-ups and everyone would go off and give up on their marriage partners, but von Arnim crafted a lovely turn around in each woman's life. The author's descriptive writing is beautiful, especially when describing flowers and she made Italy very enticing, especially for an April holiday! This is the first book I've read by this author but it doesn't surprise me that her first book was titled, Elizabeth and Her German Garden and that in real life she created a wonderful garden at her home in France.

How passionately she longed to be important to somebody again...not important as an asset in an organization, but privately important - just to one other person, quite privately, nobody else to know or notice. It didn't seem much to ask in a world so crowded with people, just to have one of them, only one out of all the millions, to oneself. Somebody who needed one, who thought of one, who was eager to come to one - oh, oh how dreadfully one wanted to be precious!

A Son at the Front (1923) by Edith Wharton

 

A Son at the Front was one of four novels written by Edith Wharton in the 1920’s after she had won the Pulitzer Prize in 1921 for her book Age of Innocence. These novels focussed on the growing sense that World War I had brought about irreparable damage and had left an indelible mark on society.
A Son at the Front, as its title implies was set during WWI, and opens in Paris in 1914 just before war was announced. Edith Wharton was involved in relief work in France and this novel was inspired by a young man she met during that time.

American artist, John Campton, resided in Paris and was looking forward to his holiday with his son George who had finished his studies in America and was returning to France to visit before taking up work in a bank in New York.
By a twist of fate, George had been born in Paris and not in America. His parents divorced early in his life and his mother, Julia, had remarried.

It was almost impossible to Campton to picture what it would be like to have the boy with him. For so long he had seen his son only in snatches, hurriedly, incompletely, uncomprehendingly: it was only in the last three years that their intimacy had had a chance to develop. And they had never travelled together, except for hasty dashes, two or three times, to seashore or mountains; had never gone off on a long solitary journey such as this. Campton, tired, disenchanted, and nearing sixty, found himself looking forward to the adventure with an eagerness as great as the different sort of ardour with which, in his youth, he had imagined flights of another kind with the woman who was to fulfill every dream.

Life had perpetually knocked him down just as he had his hand on her gifts; nothing had ever succeeded with him but his work. But he was as sure as ever that peace of mind and contentment of heart were waiting for him round the next corner; and this time, it was clear, they were to come to him through his wonderful son.

Before father and son could begin their holiday together, George was called up to join the French army and the trip could not take place.
All three parents were desperate for George not to go to the front and used every means they could to prevent it happening.
As the war progressed it touched the lives of everyone around them. More and more families they knew received the news that their sons had died, gone missing or had been severely wounded in action and Campton struggled with the morality of pulling strings to have his son relegated to an office job.
George had seemed ambivalent about war service and this gave a false sense of security to his father, although subconsciously he wished his son to do the honourable thing.

This novel is more about the families left behind than the sons at the front. When Julia had remarried, George’s rich stepfather and millionaire banker, Anderson Brand, provided for George and brought him up and loved him dearly. There is much tension between the three parents and Campton had a huge chip on his shoulder because of his lack of success in life, generally.
I thought Wharton had good insight into the relationships involved and her treatment of the effects of the war on the different characters throughout the novel were brilliant.
I’ve been reading the author’s lesser-known novels and short stories and I’m surprised that they aren’t as popular as her longer works. She had a profound insight into human nature, her writing is just beautiful and her vocabulary is rich. I occasionally come across words I’ve never seen before and often can’t find them in my Oxford dictionary. I think they must be peculiar to America, although not necessarily words in regular use.
That she wrote from personal experience is obvious and her work is realistic, portraying some of the senseless crimes the war had perpetrated- describing it as a monster whose daily meal was made up of ‘an incalculable sum of gifts and virtues.’

I loved this reflection by Campton when he discovered his son’s ardour for literature:

Campton perceived that the millionaire’s taste for owning books had awakened in his stepson a taste for reading them. “I couldn’t have done that for him,” the father had reflected with secret bitterness. It was not that a bibliophile’s library was necessary to develop a taste for letters; but that Campton himself, being a small reader, had few books about him, and usually borrowed those few. If George had lived with him he might never have guessed the boy’s latent hunger, for the need of books as part of one’s daily food would scarcely have presented itself to him.

Initiation had come to them in different ways, but their ardour for beauty had the same root…
Campton, with a passionate interest, watched his son absorbing through books what had mysteriously reached him through his paintbrush.

The Library of America has published the four novels of the 1920’s in a hardback edition that is very nicely done. ISBN: 9781598534535

The Power of Geography by Tim Marshall (2021)

 I wrote this post in 2021 when this book was first published:

The Power of Geography: Ten Maps That Reveal the Future of Our World was published this year (2021) and is a sequel to Prisoners of Geography which I wrote about here.
In that book Tim Marshall focused on the fact that geography has played a major role in history. In this new book he explores ten different regions and the power they hold in the shaping of our future.
These regions are: Australia, Iran, Saudi Arabia, The United Kingdom, Greece, Turkey, The Sahel (a region I was totally ignorant of), Ethiopia, Spain and Space.

The Power of Geography covers some very diverse countries with complicated histories – a whole book could be written about just Iran alone when you consider the upheaval and changes there even in recent times. There’s a lot of ground to cover and I think that’s the reason I found this book generally wasn’t as tightly written as the previous one. There are some chapters where this wasn’t the case – Turkey and Ethiopia, for instance, which were more compact. In spite of the sense of overwhelm at times (I’m thinking of you, Saudia Arabia), The Power of Geography is an interesting and informative book.

Some highlights:

Australia

We tend to think of China and Australia being relatively close to each other, but Tim Marshall points out that the map most of us use, the Mercator, distorts our view of the world. He suggests the different perspective to be had from the use of a Waterman map, noting the fact that Beijing is as close to Warsaw as it is to Canberra, but it is China that is regarded as our close neighbour.
I learned that Australia, along with New Zealand, the USA, the UK and Canada is a member of what is probably the world’s most efficient intelligence-gathering network: ‘Five Eyes.’ I asked my husband if he knew about this and he did. He also knows where the Sahel is, which shouldn’t have surprised me – he has a mind like a steel trap on more modern history.

Iran

I know a little bit about Iran from teaching ESL to a couple who left that country and resettled here. Apparently it was not until 1935 that the land of Persia became known as Iran but everyone I’ve met from Iran (and all of them were born decades after the name change) describe themselves as Persian.

Saudi Arabia

What a complicated and confusing history! Saudi Arabia was created in the twentieth century. Its population then was about two million, and most of them were nomads. Now there are 34 million people living there.
Marshall describes the rise of Al-Qaeda, Osama Bin Laden and the various members of the royal family, notably, Crown Prince Mohammed bin Salman who is reigning now.

United Kingdom

The chapter starts with a quick overview of the UK’s history, beginning with the Greek explorer Pytheas, through the Roman occupation, Viking invasions, the Battle of Hastings, the rise of the British Empire, the two World Wars, up to the present and Brexit.
He considers the question of Scottish independence and the complications that would result – for example, if Scotland insisted that the Royal Navy remove its nuclear-armed submarines from their base at Faslane on the west coast.

Sea power underpinned an empire based on the usual power-building common to all countries, but also the racist assumptions of colonialism. There was, however, one bright point of moral light in the navy's role. In 1807, having played prominent role in the slave trade, Britain outlawed it. For the next few decades the Royal Navy actively pursued slave traders, liberating about 150,000 people, while the government paid subsidies to African chiefs to persuade them to end the practice.

Life in these Royal Navy ships is depicted as almost equally harsh and dangerous for the British sailors;
‘Between 1830 – 1865, approximately 1587 men died on the West Africa Squadron, from a variety of causes: disease, killed in action and accidental deaths…’

One of the most fascinating countries represented in this book is Turkey. General Kemal Atatürk was the first president of the Republic of Turkey which was established in 1923. Known as ‘Father of the Turks, he ruled for fifteen years and implemented radical reforms which transformed and modernised the country.

Atatürk understood that language is culture. He was in the business of forming a new culture based not on the multi-ethnic and multi-linguistic Ottoman Empire, but on Turkishness.

In recent times Turkey has turned to the past in order to shape the future. The author describes Erdoğan, Turkey’s Prime Minister, as a ‘neo-Ottoman’ who believes that Turkey is destined to be a global superpower as the West declines.

Ethiopia and Spain are two other very interesting places to delve into – in fact, all of countries covered in this book are, but there is so much detail and changes in their history, not to mention their geographical complexities, to enable a reader without too much background information to take it all in. It’s a book I’d be more than happy to read again in order to digest all the details, or to dip into as a reference when any of the countries are mentioned in the news or current affairs.

 

I Capture the Castle by Dodie Smith (1949)

 

I Capture the Castle was one of the books on my shelf that I'd been reluctant to begin. I’m not sure why because I enjoyed Dodie Smith’s other well-known novel, 101 Dalmatians. Once I'd started this book my hesitancy quickly disappeared as I discovered that it is such a quirky, fun with patches of seriousness, fairytale-ish story, that captures all the angst of a young woman in love with someone who loves someone else.
The young woman is 17-year-old Cassandra, the narrator of the story, and she describes her unusual poverty-stricken family beautifully. Her father, James Mortmain, a one hit wonder of an author; his second wife, the artistic, ethereal Topaz; her resilient younger brother and her pretty older sister, Rose, who is determined to marry money. (“I could marry the Devil himself if he had some money.")
Then there is Stephen, their 18-year-old boarder/servant who dotes on Cassandra so much that her father calls him her ‘swain.'

Cassandra keeps a diary and has a literary bent, which is partly why I liked this novel as much as I did.

I have found that sitting in a place where you have never sat before can be inspiring - I wrote my very best poem while sitting on the hen-house.

I have just remarked to Rose that our situation is really rather romantic - two girls in this strange and lonely house. She replied that she saw nothing romantic about being shut up in a crumbling ruin surrounded by a sea of mud. I must admit that our home is an unreasonable place to live in. Yet I love it.

The Mortmains had a forty-year lease on their run-down castle. Their landlord, who lived five miles away, always sent them a ham at Christmas whether they paid the rent or not. When he died the previous year they sadly missed the ham…

One day the heir to their landlord's fortune arrived, along with his brother and the girls' fortunes are beginning to look up.

Did you think of anything when Miss Marcy said Scoatney Hall was being re-opened? I thought of the beginning of Pride and Prejudice – where Mrs. Bennet says 'Netherfield Park is let at last.' And then Mr. Bennet goes over to call on the rich new owner.

Rose believed that having money would solve everything and be the antidote to misery, but her experience belied this. Cassandra thought that there must be a catch about having plenty of money; that perhaps it would eventually take the pleasure out of things.
She had this perceptive comment to make on the ‘climate of richness.’

But most of the time, I just thought. And what I thought about most was luxury. I had never realized before that it is more than just having things; it makes the very air feel different. And I felt different, breathing that air: relaxed, lazy, still sad but with the edge taken off the sadness. Perhaps the effect wears off in time, or perhaps you don’t notice it if you are born to it, but it does seem to me that the climate of richness must always be a little dulling to the senses. Perhaps it takes the edge off joy as well as off sorrow.

Oddly, I have never thought of us as poor people — I mean, I have never been terribly sorry for us, as for the unemployed or beggars; though really we have been rather worse off, being unemployable and with no one to beg from.

Cassandra wrote in her diary:

Sometimes I try to imagine what happens to characters in books - after the books finish, I mean.

I finished the book with this thought because the ending left much up in the air. It’s a ‘coming-of-age’ sort of story so that adds to the unresolved feeling. How many of us know what we really want when we are just on the threshold of adulthood?

The Young Clementina (1935) by D.E. Stevenson

 

I've been splurging on two authors in the last couple of years. Mary Stewart is one and the other is D.E.Stevenson. Mary Stewart was a new author I was introduced to through a friend and although I'd read one of Stevenson's books a few years ago, her books weren't readily available here. If you like a bit of action, feisty heroines and a variety of settings, then I’d recommend Mary Stewart. D.E. Stevenson’s books are softer and more domestic but they are lovely to read, she has a focus on the natural world and her stories are often set in her homeland of Scotland.

There is a sameness in the individual plot structures of each of these authors. I’ve linked to reviews I’ve written about some of Mary Stewart’s books above that will give you an idea of her style. Stevenson’s plots, at least in the novels I’ve read so far, focus on quite young women who have often had difficult or disrupted childhoods. They are unworldly, vulnerable, and generally under confident.

The Young Clementina departs a little from this as the main protagonist is in her thirties, and the man she loved in her teens and expected to marry, married someone else. It is darker and sadder than some of her other books. with a gritty realism in parts and if I didn’t know at the beginning that it was published in 1935, I would have put it after WWII and not before.
The main protagonist is not Clementina and I wondered why the title is what it is, but she is a key person in this story even though we meet her later in the book and she isn’t in it for very long. 

Two roads are open to me, one lonely but well known, peaceful and uneventful; the other full of dangers and difficulties which I cannot foresee.

Charlotte had been living on her own in a bleak flat in London for twelve years. She had grown up with Garth, a close neighbour, and had expected they would be married but when WWI broke out he had gone with all the other young men to fight for his country. Unlike many of the others who went, he returned, but he was changed.

The boy that I had known so well was a gentle-natured creature, considerate to others and somewhat self-effacing. This man who had come back in his place was ruthless, almost brutal at times. I told myself that the war had changed Garth’s nature…

Charlotte realised one night that it was all over between them and that Garth had gone from her forever. It was then that she moved to London and settled into a lonely but peaceful existence working in a private library reviewing travel books.

Separation

THERE is a mountain and a wood between us,
Where the lone shepherd and late bird have seen us
Morning and noon and eventide repass.
Between us now the mountain and the wood
Seem standing darker than last year they stood,
And say we must not cross—alas! alas!

– Walter Savage Landor

This has been my favourite book by Stevenson so far. It is more layered than some of her others and there was a sense of mystery throughout. The characters were interesting, and as with the author’s other books her sense of humour was evident, but in The Young Clementina that only surfaced in one character:

Mrs. Cope – the straight talking, outspoken cleaning lady who was a good friend to the lonely Charlotte:

Mrs. Cope looked around the court and preened herself; she was not in the last frightened, nor dismayed. Is there another country in the world where a woman of Mrs. Cope’s class and upbringing could face a judge and jury in a crowded court with confidence in their integrity and in her own rectitude? Is there another country in the world that could produce a Mrs. Cope?

Kitty – another main character and Charlotte’s younger sister who was selfish, spoiled and devious:

Kitty had become an undisciplined woman…I realised, too, that Kitty had coarsened, not physically – for her body had been cared for with unremitting skill and attention – but coarsened mentally, or perhaps spiritually would be nearer the truth…The coarsening of her mental fibres dismayed me. It was more grief to realise her degeneration, than to contemplate the mess she had made of her life, for the one was an inner and the fundamental thing and the other was merely fortuitous…
I should have been more help to her in her hour of need if she had not shut me out of her life so completely for twelve years.

This was a poignant story that fully engaged my attention. Charlotte’s loneliness and confusion over the lost relationship with Garth was very touching and Stevenson balanced Charlotte’s sorrow at the lost relationship with the feeling of peace she felt in not being in a position to be hurt by the man she still loved.

When I had recovered sufficiently I went and sat in Kensington Gardens and watched the children playing. I felt weak and silly, and the happiness of the children, as they ran about and shouted at each other, touched a spring in my heart…I had missed all that in my life – all the joys of normal womanhood – I was a very lonely woman, on the way to a lonely old age.

Charlotte’s acceptance of her life in London shielded her heart and given her some contentment but she was sunk in a groove that made her shrink from any change. But now she had a decision to make – to risk further misery and pain and face a prospect that terrifies her or to stay in the old groove of her life in books, dreams and loneliness.

I loved this story of loss and new beginnings and a woman’s search for truth. A very satisfying and compassionate story!

According to Wikipedia this title was published as Divorced From Reality in 1935 (alternate title: Miss Dean’s Dilemma; and was republished in 1966 as The Young Clementina)