Showing posts with label Agatha Christie. Show all posts
Showing posts with label Agatha Christie. Show all posts

Thursday, 20 March 2025

The Body in the Library by Agatha Christie (1942)


The first Miss Marple book I read was The Murder at the Vicarage and although I enjoyed the book, I wasn’t enamoured by Marple’s character and just thought she was an old gossip. ☹️

I may have stopped there but Ruthiella @Booked for Life made a comment on my post that Miss Marple was particularly catty in that book and suggested I try another one.
Since then I’ve read eight Miss Marple books and she has grown on me. The Body in the Library was Christie’s third Miss Marple book and my most recent one:
📚
Miss Marples good friends, the Bantry’s, wake up one morning to the news that a young woman’s dead, strangled body has been found in Colonel Bantry’s library. No one knows her identity and how she came to be there.
Mrs Bantry immediately rings Miss Marple:

’You want me to come up?’
“’Yes, I’m sending the car down for you.’
“Miss Marple said doubtfully: ‘Of course, dear, if you think I can be of any comfort to you – ‘
“Oh, I don’t want comfort. But you’re so good at bodies.’’
“Oh no, indeed. My little successes have been mostly theoretical.”
“But you’re very good at murders…
What I feel is that if one has got to have a murder actually happening in one’s house, one might as well enjoy it, if you know what I mean. Thats why I want you to come and help me find out who did it and unravel the mystery and all that. It really ‘is’ rather thrilling, isn’t it?”

There was a double murder mystery in this book and its solution was complicated as one of the bodies was burned beyond recognition. Meanwhile poor Colonel Bantry was getting the cold shoulder from people in St Mary Mead. The girl was found in the Colonel’s library, so the gossips said that the girl was his mistress…his illegitimate daughter…that she had been blackmailing him.

Favourite Characters

The Bantrys – Dolly Bantry was adamant the murder must be solved as she understood the devastating effect the implied guilt had on her husband. She had been away with Jane Marple and on her return home her husband seemed to have shrunk. After hearing of dinners that had been put off and a cancellation of the Colonel’s chairing of a council meeting, she pulled off a glove and threw it in the bin. Then she sat down and cut off the fingers of her second glove.

“What are you doing, Dolly?”
“Feeling destructive,” said Mrs Bantry.
She got up. “Where shall we sit after dinner, Arthur? In the library?”
“Well – er – I don’t think so- eh? Very nice in here – or the drawing room.”
“I think,” said Mrs Bantry, “that we’ll sit in the library!”
Her steady eye met his. Colonel Bantry drew himself up to his full height. A sparkle came into his eye.
He said:
“You’re right, my dear. We’ll sit in the library!”

Basil Blake – one of the prime suspects who seems to live up to his bad reputation but there is more to him than is first thought.

Peter Carmody – a nine year old would be detective who loves detective stories, does a bit of sleuthing and gives Miss Marple some clues.

“I’ve got autographs from Dorothy Sayers and Agatha Christie and Dickson Carr and H.C. Bailey.” ðŸ™‚

Not a favourite character but I liked this description of Inspector Slack – a misnamed man if ever there was one:

Activity was always to Inspector Slack’s taste. To rush off in a car, to silence rudely those people who were anxious to tell him things, to cut short conversations on the plea of urgent necessity. All this was the breath of life to Slack.

A chilling aspect to this story was the murder of a random sixteen-year-old girl who was lured to her death in order to cover up the identity of the intended victim. As Miss Marple observed, most people are too trusting for this wicked world.


Wednesday, 10 July 2024

Murder in Mesopotamia by Agatha Christie (1936)

 



Murder in Mesopotamia is another book that came out of Christie's first-hand experience of working on archaeological sites with her husband. The setting of this book is the excavation a large Assyrian city about a day and a half’s journey from Baghdad. The book is narrated by Miss Amy Leatheran, a thirty-two-year-old nurse who had lately been employed by Dr. Leidner, the leader of the expedition.

Dr. Leidner had been worried for some time about his wife, Louise’s, health. She was suffering from ‘fancies’ as well as recurring nervous terrors and as a result the atmosphere at the dig was very tense. Nurse Leatheran was to keep an eye on Louise and help her to feel ‘safe.’
By the time Leatheran had been at the dig for about a week she had an uneasy sense that something really was wrong and that the sense of strain and constraint among the expedition team was genuine.
Hercule Poirot comes on the scene after a murder occurs. It looks like it must have been committed by a member of the expedition team and Poirot expects the murderer will strike again.
We find out much about the various characters’ backgrounds and their relationships with each other as Poirot conducts his investigations. A red herring is thrown in to confuse everything but eventually Poirot brings his investigation to a surprise conclusion.
Apart from the archaeological setting, I didn’t enjoy this book as much as some of her others, e.g. They Came to Baghdad. Nurse Leatheran was a pain, not to mention a lousy nurse - patronising and full of herself, with a bustling attitude of 'Come, come, that's enough of that.' Followed up by a slap on the face. That didn't endear me to her.
As usual, Christie included a nice little twist to reveal the suspect.

Even though this book is not one of my favourites, it held my interest throughout.

A good website for all things Agatha is https://www.agathachristie.com & if you haven't yet read any of her books here are some suggestions: Nine Christie Novels for Newcomers. I'm reading through her books that have a Middle East/Archaeological setting.



Monday, 1 July 2024

They Came to Baghdad by Agatha Christie (1951)

 



‘Outside in Bank Street it was sunny and full of swirling dust and the noises were terrific and varied. There was the persistent honking of motor horns, the cries of vendors of various wares. There were hot disputes between small groups of people who seemed ready to murder each other but were really fast friends; boys and children were selling every type of tree, sweetmeats, oranges and bananas, bath towels, combs, razor blades and other assorted merchandise carried rapidly through the streets on trays. There was also a perpetual and ever renewed sound of throat clearing and spitting, and above it the thin melancholy wail of men conducting donkeys and horses amongst the stream of motors and pedestrians shouting, “Balek — Balek!”

It was eleven o’clock in the morning in the city of Baghdad.’

It is 1950 and everyone is coming to Baghdad.
Mr. Dakin, the undercover head of British Intelligence in Baghdad, is awaiting Henry Carmichael who is returning to Iraq with evidence to back up his fantastic story of an international plot involving a deadly weapon.

‘In substance, it is exactly like the Fifth Column activities at the beginning of the last war, only this time it is on a world-wide scale.’

Dakin’s best and most reliable man has either gone mad or his story is true. Four men with similar features to Carmichael have already been murdered in Persia and Iraq. He didn’t get away unsuspected and the enemy are on his trail. When he enters Baghdad the danger will be even greater.
World leaders hoping to promote peace are coming to Baghdad for a secret summit and Dakin is desperate to have Carmichael’s evidence to present to them.

Meanwhile in London, Victoria Jones, a young Cockney typist just fired from her job, is sitting in a park eating her lunch when Edward, a handsome young man, strikes up a conversation. Victoria, who considers herself an excellent judge of character, is immediately smitten, so much so that when she hears that he is heading to Baghdad the next day to work for a Dr. Rathbone, she decides that somehow, she would get herself to Baghdad.

They Came to Baghdad is one of the few Christie novels that is a spy/political thriller rather than her typical detective novel.
I think her detective novels are better than her spy thrillers but this book was a fun read with a complicated plot full of people who are not what they seem.
It took me a while to figure out that Victoria Jones was the main character. She didn’t seem very promising at first with her tendency to tell elaborate creative lies to make her life more interesting. Her sudden decision that she was in love with a man she’d barely talked to gave all the appearance of an airhead; but she was also generous, courageous and thoroughly optimistic, and she grew on me.

‘She, Victoria Jones, a little London typist, had arrived in Baghdad, had seen a man murdered almost before her eyes, had become a secret agent or something equally melodramatic, and had finally met the man she loved in a tropical garden with palms waving overhead, and in all probability not far from the spot where the original garden of Eden was said to be situated.’

Victoria’s quick wits and inventive qualities are given plenty of scope in Baghdad where she is caught up in a kidnapping and a murder and manages to talk her way into working at an archaeological dig by posing as an anthropologist. Through it all she matures and learns some truths about human nature while keeping her inherent optimism and revealing her true mettle.

‘Surely those were the things that mattered — the little every day things, the family to be cooked for, the four walls that enclosed the home, the one or two cherished possessions…
Humility is what keeps you sane and a human being…’

They Came to Baghdad was a good Christie book to follow on from her autobiographical, Come, Tell Me How You Live, where she recounts her time working and travelling with her archaeologist husband, Max Mallowan, in Syria and other parts of the Middle East.
It also captures a very different Baghdad to that of today, just over 70 years later.

Interesting links:

Mysteries and the Middle East

Agatha Christie in Egypt & the Near East


Friday, 17 May 2024

Crooked House (1949) by Agatha Christie




Crooked House is one of Agatha Christie’s special favourites – she said that writing it was pure pleasure and she considered this book one of her best.

I saved it up for years, thinking about it, working it out, saying to myself: ‘one day, when I’ve plenty of time, and want to really enjoy myself- I’ll begin it!’

There is no Poirot or Miss Marple, but there is Charles Hayward, a young man who comes back to England after five years' war service to ask Sophia Leonides, the woman he loves, to marry him. But a problem arises. Sophia’s rich grandfather, Aristides, dies suddenly and his doctor suspects poison. With the whole household under a cloud, she will not accept Charles’ offer of marriage until the situation is resolved. If it ever can be.

Charles’ father is none other than Assistant Commissioner for Scotland Yard. The Leonides case, being under his jurisdiction, he suggests that Charles get information from the ‘inside’ – with Sophia’s full knowledge, of course. And so Charles is introduced to the family and ends up doing some detecting on the side.

I’d always taken a certain amount of interest in my father’s police work, but nothing had prepared me for the moment when I should come to take a direct and personal interest in it.

Crooked House is a clever story with a very surprising and unsettling end! Agatha Christie displays some psychological leanings in this book – the influence of hereditary being one:

Most people can deal with one weakness – but they mightn’t be able to deal with two weaknesses of a different kind.

Charles asks his father if there is a ‘common denominator’ of murderers and he replies,

‘Yes, I’ve never met a murderer who wasn’t vain…It’s their vanity that leads to their undoing, nine times out of ten.’

Josephine Tey’s Inspector Grant made the same observation about the vanity of murderers in The Singing Sands and The Franchise Affair.



Tuesday, 22 September 2020

Back to the Classics 2020 Challenge: Final Wrap Up


Well, this is the earliest I've ever posted my final wrap-up for the Back to the Classics Challenge! I've managed to fit in a lot of books so far this year, thanks mostly to Covid! I'm very happy to have finally read The Lord of the Rings...and to have enjoyed them so much. They were just the right books to read as we went into lockdown here. I also watched the movies, which I'd put off viewing until I'd read the books.

A pleasant surprise for me out of this list was Martin Chuzzlewit. I've read just about all of Dickens' novels, and wasn't busting to read any of his others but by chance I found this book, had no idea of its storyline, and had never seen it reviewed. I decided to read a chapter and if I found it too rambling I'd give it a miss, but I fell into it headlong and continued. A great read!

A book that made me cry (which doesn't happen very often) was The Death of Ivan Ilyich. A perfect (short) book to pick up for a first introduction to a Russian writer.

Saplings was very different to anything else I'd read by Noel Streatfeild - definitely not for children like many of her other books; a tragic tale of the impact of WW2 on a family.

Sadly, Miss Pym Disposes is the last of of Josephine Tey's crime/detective noels I had left to read. I've thoroughly enjoyed her books.

The only book I didn't really like was The Island of Doctor Moreau. There was a reason it was my abandoned classic!

19th century Classic: Martin Chuzzlewit by Charles Dickens (1843-5)

20th Century Classic: Doctor Zhivago by Boris Pasternak (1957-8)

Classic by a Woman: The Making of a Marchioness by Frances Hodgson Burnett (1901)

Classic in Translation: The Death of Ivan Ilyich by Leo Tolstoy (1886)

Classic by a Person of Colour: To Sir With Love by E.R. Braithwaite (1959)

Genre Classic: The Murder at the Vicarage by Agatha Christie (1930)

Classic With a Name in the Title: Miss Pym Disposes by Joesphine Tey (1946)

Classic With a Place in the Title: Pilgrim's Inn by Elizabeth Goudge (1948)

Classic With Nature in the Title: The Scent of Water by Elizabeth Goudge (1963)

Classic About a Family: Saplings by Noel Streatfeild (1945)

An Abandoned Classic: The Island of Doctor Moreau by H.G. Wells (1896)

Adapted Classic: The Lord of the Rings by J.R. Tolkien (1949)







Monday, 14 September 2020

Come, Tell me How You Live by Agatha Christie Mallowan (1946)



Come, Tell me How You Live, which Christie describes as 'a meandering chronicle' of life on an archaeological dig, is just delightful! I came across this book accidentally when I was looking for some of her crime novels with an archaeological setting.

Agatha Christie met the distinguished young archaeologist, Max Mallowan, in 1930 when she visited Leonard and Katherine Woolley in Baghdad. Her first marriage had come to an end a few years previously and she and Mallowan were married about six months after they met and enjoyed forty-six years together until her death in 1976. During the pre-war years, Agatha accompanied Mallowan on all his digs and took an active part in the photography, recording and preservation of the finds. Come, Tell me How You Live was written to answer a question that was asked of her very often:

'So you dig in Syria, do you? Do tell me all about it. How do you live? In a tent?...'

The book was begun before the war but was put aside for four years while she was engaged in volunteer work in war-time London and Max was serving overseas. In 1944 she picked it up again and said that it was a joy and refreshment to her to live those days again.

'Writing this simple record has been not a task, but a labour of love. Not an escape to something that was, but the bringing into the had work and sorrow of today of something imperishable that one not only had but still has.'

Come, Tell Me How You Live revealed a side of Agatha Christie that I would never have guessed existed. Her warmth, humour and honesty shone through the writing and I felt I got to know her as a person and not a detached narrator. It was such a pleasure to read about her relationship with Mallowan. They obviously were very secure and comfortable with each other. I had to laugh when she describes an 'archaeological packing,' which consists mainly of books. (I can relate to that!) Mallowan asks if she has room in her suitcases and promptly rams two immense tomes on top of her smugly packed clothes and forces down the lid. The next morning...

'At nine a.m. I am, called in as the heavy-weight to sit on Max's bulging suitcases.

'If you can't make them shut,' Max says ungallantly, 'nobody can!'

Max saw everything through an archaeological lens. Seeing a folded printed linen dress in one of Agatha's suitcases he asked what it was and when told commented that it had 'fertility motifs all down the front.' Another time he suggested she wear 'the greenish buff with the Tell Halaf running lozenge pattern.' He described everything in pottery terms - 'pinkish buff,' and was obsessed with Tells.

Agatha continued her crime writing while on the field and found much inspiration for her books in her Middle Eastern travels. One day, one of the expedition team who had newly arrived and was very sociable, interrupted her while she was getting down to the gory details of a murder. He asked if he could join her in the office while he labelled some objects, but she had to be firm:

'I explain clearly that it is quite impossible for me to get on with my dead body if a live body is moving, breathing, and in all probability talking, in the near vicinity.'

Mice, fleas, mechanical breakdowns, fighting workers, eccentric personalities, post office dramas, conniving sheiks, are all a part of life and are described vividly.

'Anointing beds with carbolic merely stimulates the fleas to even greater displays of athletics. It is not, I explain to Mac (a young archaeological assistant), so much the bites of the fleas. It is their tireless energy, their never ending hopping races round and round one's middle that wears one out. Impossible to drop off to sleep when fleas are holding the nightly sports round and round the waist.'

I've shared in a previous post the Archaeological Studies I'd put together for my daughter in which I included some fiction as an added interest and also because she's always hunting for books to read. After reading Christie's memories of her and Mallowan's archaeological expeditions in the Middle East and enjoying it so much, I decided I'd add this to her reading in Year 11.

252 pages.


Linking to the 2020 NonFiction Reading Challenge at Book'd Out: Memoir


Saturday, 7 March 2020

Our High School Archaeological Studies



The Ring of Brodgar, Orkney


Gods, Graves & Scholars: The Story of Archaeology by C.W. Ceram

I’ve used this book in the past with my older ones and it’s very good. Ceram, a journalist and not an archeologist, traces the development of a highly specialised science in a way that the ordinary person can read it with genuine excitement as they would if they were reading a detective thriller.
The book was originally published in 1949 and was later revised and substantially enlarged. We have the 1971 edition and it is well-illustrated with black & white photographs, pen drawings and maps. There are 32 chapters, an appendix with chronological tables and a bibliography for the topics he covers.



The Folio Society have published the book and of course it's lovely, but expensive. Here is what they say about it:

'From Pompeii to the Rosetta Stone and from Nineveh to Chichén-Itzá, this hugely influential book was the first to tell the story of archaeology. First published in German in 1949, it was translated into 26 languages and became an international bestseller. More than any other book, it helped stoke a passion for archaeology in the imagination of the post-war world, and remains one of the world’s most widely read books on the subject...
Ceram tells us that ‘the great Palace of Minos was as large as Buckingham Palace’, that the bronze statues of Pompeii ‘rang like bells’ when they were first struck by the workmen’s shovels, and describes how our modern superstition about a black cat crossing our path stems from ancient Babylon.'

We're using Ceram's book as our main 'text' for the year and this term I'm adding in some fiction that is centred around archaeology. 

The Boy with the Brown Axe by Kathleen Fidler


This book is geared towards a younger audience (around 9 to 13) but I included it because it's a fictionalized account set in the Neolithic village of Skara Brae on the Orkney Islands which dates back 3,000 to 5,000 years ago. It describes how the village may have been destroyed and weaves in some geographical detail such as the Bay of Skaill, the Standing Stones of Stenness and Maidstowe. One of the characters in the book is a stone mason who is working on the Ring of Brodgar. Both my daughter and I enjoyed it even though it was a quick read for us.
Thanks to Sarah @delivering grace for suggesting this book.



The Rediscovered Village of Skara Brae





Crocodile on the Sandbank by Elizabeth Peters (1975)


This is the first book in the author’s Amelia Peabody series and it was a delightful read. We've both read this and my daughter loved it. While her characters in these books are fictitious, historic figures do make an appearance from time to time. For example, in Crocodile on the Sandbank, a well-known French Egyptologist plays a small part in the story. William Flinders Petrie, the famous archaeologist, is referred to a number of times, as well as a some other Egyptologists.
Amelia Peabody had lived a quiet life with her father, a scholar and antiquarian, generally supporting him and keeping house as he got older. The story takes place in the 1880’s. Amelia is 32 years old, single, and very sure of herself. 
When her father dies he leaves her his considerable fortune and she decides to leave England and travel to see all the places her father had studied: Greece, Rome, Babylon and Thebes.
She engages a companion, a Miss Pritchett, to go with her. Miss Pritchett contracts typhoid while they are in Rome and is dispatched back to England. Amelia, musing whether or not she should find a substitute, comes across Evelyn, a young English woman on the street near the Roman Forum. She had been heartlessly abandoned by her false lover when he realized she had no fortune and had fainted from hunger and exhaustion. Amelia rescues her, nurses her back to health then two of them take a boat up the Nile to an archaeological site to embark on their Egyptian adventure.

I looked into this series of books for my daughter to read alongside her Archaeology studies this year, for enjoyment mostly, but the settings bring archaeology to life and certainly give a feel for antiquity.
Elizabeth Peters earned her Ph.D in Egyptology and her archaeological knowledge comes through into her mystery writing which adds an authentic touch.
The author writes well and there’s a good dose of humour in her writing. Both my daughter and I think this first book has some similarities to Agatha Christie’s The Man in the Brown Suit, which we both really enjoyed.
I've started reading the second book in the series, The Curse of the Pharaohs, and while it's a great read, I think it may be just a tad mature at the moment for my daughter. Fortunately our library has a good number of the Amelia Peabody books so I'll check them out to see if they're suitable. I think once you've read the first one it's not necessary to read them in order. But do read Book 1 first if you decide to try them out!

Murder in Mesopotamia by Agatha Christie - a murder mystery set in a Middle Eastern
archaeological dig.





Appointment With Death by Agatha Christie - set in Petra. When Christie was 40 years of age she met her second husband, Max Mallowan, an archaeologist who was assisting Leonard Woolley in Ur. Christie worked alongside her husband and became an invaluable aid to him in his work. 

Ur from the air, 1927 - about a year before Christie visited
























Wednesday, 5 February 2020

Crime Classics: The Murder at the Vicarage by Agatha Christie (1930)



Miss Marple makes her debut in this novel which was my first introduction to Agatha Christie’s amateur sleuth. It was a very enjoyable crime mystery although I didn’t find Miss Marple herself very endearing. Maybe I have to get to know her a bit more. She was quite peripheral for most of this story but came to the fore at the end with her solution to the crime.

Mr Clement, the vicar of the sleepy little village of St Mary Mead, narrates the story. He is married to Griselda who is almost twenty years his junior and they share their home with their nephew, Dennis.

‘You underestimate the detective instinct of village life. In St Mary Mead everyone knows your most intimate affairs. There is no detective in England equal to a spinster lady of uncertain age with plenty of time on her hands.’

Colonel Protheroe is found dead and the whole village comes under suspicion because just about everyone seems to have a motive for the murder. Even the kind-hearted vicar had been heard to say while carving a remarkably tough piece of boiled beef that anyone who murdered the Colonel 'would be doing the world at large a service.'

It takes many twists and turns and false conjectures before the murderer is revealed.
While I appreciated the complicated plot and the murder’s resolution, what I enjoyed most about The Murder at the Vicarage were the relationships between the people at the vicarage. The Vicar and his wife have such  disparate natures. He is serious while she is witty and playful and often exasperates or embarrasses her husband with her comments. Dennis’s remarks and ditties are full of fun, and the droll descriptions of the abysmal meals cooked and served by Mary their testy maid are delightful.
I'd like to know if Miss Marple becomes more likeable. Is she really just an old gossip and busybody, albeit with rare detective skills, or does she have some more admirable qualities?



Linking this to the Back to the Classics Challenge 2020 for the Genre Classic (Mystery)
And the Classics Club 50 Classics in 5 Years Challenge.





Saturday, 19 October 2019

A Bookish Catch-up


Our recent overseas trip afforded me some good opportunities for lighter reading. With very long flights from here to the U.K and back and a about six hours of train travel in between I managed to get through a few books that I took with me plus some others I picked up on our travels.
Light reading for me tends to lean towards detective/spy novels so I’ll start with those.

Passenger to Frankfurt by Agatha Christie (1970)





This was a strange one. It often felt more like a half-baked John Buchan story than an Agatha Christie novel with its international intrigue and bizarre characters. It was promising to start off with at first  when an unknown woman approached Sir Stafford Nye, a British diplomat, at Frankfurt airport with a tale that she would be killed if she didn't get to London. She persuaded Nye to give her his cloak and take his place on the flight. Unfortunately, Christie lost the plot a little later which was unfortunate as it could have been a good story if she had stuck to what she was good at.
There was no detective in this story and no crime as such, but there were double identities, spies, fake officials, an assassination, and a romance to top it all off.

An underlying theme was a resurgence of Nazism based on an event which came to light in this story:
As WWII progressed and Hitler was facing defeat, a plan was concocted to get him out of Germany to safety elsewhere.
Towards the end of the war, a German psychiatrist who dealt with megalomaniacs had a visit from a government official and the Führer. The psychiatrist was treating twenty-four ‘Adolf Hitlers’ at the time (as well as fifteen Napoleon’s, ten Mussolini’s, and five reincarnations of Julius Caesar!)
The psychiatrist arranged for the two men to meet and mingle with the most amiable of the Führer  patients and retired from the room. The meeting over, the two visitors left hurriedly.

Not long after this visit one of the psychiatrist’s ‘Hitler’ patients started showing signs of agitation, demanding to go immediately to Berlin. His behaviour was so fierce and unlike his usual self that the psychiatrist was relieved when a couple of days later his family took him home and said they would arrange private treatment there for him.

A clandestine investigation in the years after the war resulted in the belief that the real Führer was left in the asylum by his own consent and was not long after smuggled to Argentina, had a son by a ‘beautiful Aryan girl of good family,’ and died insane, believing he was commanding his armies in the field.
The fake Führer supposedly left the psychiatric clinic with the government official and it was his body that was found in the bunker.
At the time of this story a ‘young Siegfried’ arises, supposedly Hitler’s son, but actually a rank impostor. With backing from powerful people in high places, this young man was harnessing the youth of his country to bring about a new world order by means of violence, anarchy, drugs and what not.

It was a rather convoluted story with an equally baffling ending that seemed to come out of nowhere.
This is definitely not a standard Christie novel and I nearly didn’t finish it, but it did have its interesting bits so I carried on. Not one I’d ever bother reading again and definitely not one I’d recommend for anyone new to Agatha Christie. She should have left this sort of story to authors who knew how to write spy/espionage novels - such as John Buchan or Helen Macinnes.

Speaking of Helen Macinnes, I picked up this title from the gift and secondhand shop at the Armitt Museum in Ambleside for £1:

The Snare of the Hunter by Helen Macinnes (1974)





Helen Macinnes was born in Scotland and went to live in the USA in 1937. Her books are usually set during WWII and the Cold War period. Both she and her husband, Gilbert Highet, a classicist who worked at one time for British Intelligence, travelled widely and this is reflected in Macinnes’ books.

The Snare of the Hunter has its beginnings in Czechoslovakia when Irina Hradek, the former wife of Jiri Hradek, a high ranking official in the Czech secret police, leaves the country to make her way to the west. She is astonished that her former husband, an ambitious and ruthless man, doesn’t hinder her defection but it becomes obvious that something sinister is afoot when those who are involved in helping her get to the west die in curious circumstances.

Irina’s father, a famous author living in secrecy after defecting to the west years before has friends who are helping Irina escape. They enlist the help of David Mennery, an American journalist who had lived in Czechoslovakia years before and had known Irina then.
Mennery had wanted to marry Irina but her mother, a Communist offical, had done everything to prevent the marriage. He left the country and put Irina out of his mind.
Now all these years later he again meets the woman he once loved, learns the circumstances of her life since then, and as he desperately tries to get her to safety, his love is rekindled. But Irina is now her ex-husband’s prime target. She cannot be allowed to reveal incriminating evidence about Hradek and his ambitious designs; evidence he discovers that she is carrying with her.

There’s a good bit of suspense in this story although Macinnes is an old school spy/espionage author who places more emphasis on character, place, and ideals than on the action that modern writers in this genre tend to concentrate on.

And now on to the detective novel. Bookshops in the U.K are wonderful repositories of crime classics and detective fiction. Not just the odd one or two but all the Josephine Tey books were to be found on the shelves in shops such as Waterstones and Blackwell Books. I usually have to order these books online and rarely find them at secondhand book sales. They also had the whole series of the British Library Crime Classics that I haven’t seen here at all. Glasgow, Oxford and London especially, are a book lover’s paradise.

I bought this Tey title in Bloomsbury in London and read it while I was away.

The Man in the Queue by Josephine Tey (1929)





This is the first in Tey’s Inspector Grant series of which there are only six, which is unfortunate because Alan Grant one of the most likeable detectives in fiction. Now that I’ve read The Man in the Queue I only have one more book in this series to read: ‘A Shilling for Candles.’

The Man in the Queue is a mystery surrounding the stabbing murder of a man who was lined up outside a London theatre waiting to be admitted to the last performance of a popular musical. No one had witnessed his murder and the press of people around him kept him upright until the doors to the theatre opened and he fell forwards.
He had nothing upon his person to reveal his identity and a loaded revolver was found in his pocket.
Inspector Grant is brought in to cover the investigation and by a painstaking process and some good luck, he manages to identify the victim and from there, the prime suspect.
One of the most interesting aspects of this book was the exploration of circumstantial evidence: how facts, evidence, and motives come together to pinpoint a suspect. In Grant’s mind there was a clear case to incriminate his suspect, but something felt wrong. What if all this was merely a series of accidents that were completely unrelated? What if he had arrested the wrong man?

‘Was the man by any remotest possibility telling the truth? If not, he was the most cold-blooded wretch Grant had ever had the unhappy lot to meet. But the man appeared unconscious of Grant’s scrutiny; he seemed wholly absorbed in his story. If this was acting, it was the best Grant had ever seen, and he deemed himself a connoisseur.’

Josephine Tey’s books are always satisfying reads and I enjoyed this one as much as her others. Being the first book in the series I thought it would lack some finesse but she didn’t disappoint.
The only quibble I have, if you could really call it that, is that her description of Detective Alan Grant in her first book didn’t match another description that stayed in my mind after reading The Daughter of Time. In The Daughter of Time Grant is confined to a hospital bed after an accident on the job and was wincing at the indignity of being thrown around by a small nurse he nicknamed the midget.

‘...she dealt with his six-feet-odd with an off-hand ease that Grant found humiliating.’

For years I pictured Grant as a tall, solid, garrulous type of fellow and then I read this in The Man in the Queue, which didn’t sit with the picture I had in my mind after reading The Daughter of Time:

‘If Grant had an asset beyond the usual ones of devotion to duty and a good supply of brains and courage, it was that the last thing he looked like was a police officer. He was of medium height and slight in build, and he was - now, if I say dapper, of course you will immediately think of something like a tailor’s dummy, something perfected out of all individuality, and Grant is most certainly not that; but if you can visualize a dapperness that is not of the tailor’s dummy type, then that is Grant.’

The resolution of this mystery came out of the blue and was as unpredictable as it was clever. Once again Tey has Grant romping around the Scottish Highlands which is always a treat.
Tey's books are available free for Kindle @ebooks Adelaide.


Death Walks in Eastrepps by Francis Beeding (1931)





Francis Beeding is the pseudonym for the writers Hilary St George Saunders and John Palmer who wrote over thirty crime and thriller novels together from the 1920’s up to the 1940’s.
This book is an Inspector Wilkins’ mystery and is set in a quiet English seaside resort and was once called one of the ten greatest detective novels of all time.
The plot is quite complex but I actually had an inkling later in the book about the identity of the murderer, which is so unlike me! I’m usually hopeless at predicting things like and this was probably a first for me.

At its roots, this is a story of unbridled ambition and festering resentment and the lengths such a person in their pride will go to achieve their aims. The Eastrepps Evil, as the real murderer came to be called, framed a man for the murder of a number of people before he was finally caught but it was too late for the accused...

A good old page turner published by Arcturus Crime Classics who publish unjustly neglected works from the 1930’s (the golden age of crime writing) to the 1970’s.

The Lakes District Murder by John Bude (1935)





This is a book I found on the shelf at a place where we stayed while in the Lakes District. I’d never heard of the author before but when I saw the title and that the book was published by the British Library I got stuck into I so I could finish it before we moved on.

Bude’s detective is Inspector Meredith, a well-respected and hardworking policeman with a quiet domestic life that includes a teenage son who helps his dad out with some sleuthing and a wife who doesn’t want their son to go down the same path as his father. Apart from a couple of mentions, Meredith’s family life is kept in the background and gives him no trouble.

The story begins with the apparent suicide of a young man who is part owner of a garage and petrol station situated in an isolated location. What at first appears to be a fairly straight forward investigation turns into a complex puzzle as Meredith finds that there are things that don’t add up: there is no apparent motive; the young man was happily engaged to a young woman and had no financial difficulties. The circumstances surrounding the death suggested an elaborate pre-meditation, but the man had made his dinner, set the table and left the kettle on the stove just before his death occurred which just didn’t fit in with the suicide theory.

What follow is a fairly complex and technical investigation which unearths a possible fraud. Some of this went over my head as it involved mathematical and mechanical calculations but I took a liking to Inspector Meredith and was interested enough to try another of his books.

A great aspect of a book like this is the insight it gives into the life of a policeman in the days before mobile phones, the Internet, and decent transportation. Meredith could use a landline if it happened to be available but otherwise he had to send someone off on a bike with a message. He relied mostly on a motor bike or the train to get around. In a place like the Lakes District, travel was slow and only the larger towns such as Carlisle were accessible by train.
Police work was a difficult occupation and sleuthing required a steady mind, a dogged persistence, and lots of leg work.
A good read if you like mental gymnastics but don’t let me put you off trying another of his books because this next one is a cracker:

Death Makes a Prophet by John Bude (1947)






A visit to a Waterstones bookstore in London presented me with a dilemma: a wonderful display of neglected old British Crime Classics recently reprinted. I think in all there are about seventy-four books by a variety of authors including Freeman Wills Croft, George Bellairs, E.C.R. Lorac, John Bude and others, but I had to limit myself to one as I already had other books earmarked and the exchange rate between the Aussie Dollar & the U.K Pound leaves us decidedly worse off.

I decided in the end to try another John Bude title and thought this one looked promising. I didn’t regret my pick and thoroughly enjoyed this droll, and at times a little dark, crime novel.
The Children of Osiris was a cult created and led by the High Prophet, Eustace K. Mildmann, a widower with an only son, Terence, who was twenty-one years of age at the time of this story.
The cult, adopting the initials of their full title, referred to their doctrine as the Cult of Coo, or Cooism. Their dogmas included a mixture of Ancient Egyptian beliefs and bits and pieces of lesser known religions with a modern twist.

The Cult of Coo believed in ‘magic numbers, astrology, auras, astral bodies, humility, meditation, vegetarianism, immortality, hand-woven tweeds and brotherly love.’

Mildmann was a sincere, dreamy man who believed Cooism was the key to all life’s mysteries.

‘His best ideas had always come to him when sunk in a self-imposed trance, or, as he pithily expressed it, “during a phase of Yogi-like non-being.” (“Non-being” figured as a very important factor in the Cult of Coo, though nobody seemed able to define its exact significance.)’

When he moved to the trendy Welworth Garden City in the 1940’s he found the right soil for his ideas and before long a group of intellectuals ripe for the picking. When the Hon. Mrs. Hagge-Smith came on the scene she totally embraced Cooism and became Mildmann’s patron and financial backer.

The author spends the first half of the book building the scene for a murder by introducing the various characters associated with the cult; their backgrounds, quirks, ambitions and petty jealousies. The second half of the book is more serious, although it still has some sparks of humour, and it's here that Inspector Meredith makes his first appearance.
There are some bizarre and baffling circumstances for Meredith to untangle. This book was quite different to The Lakes District Murder, mostly because of the humourous aspects that Bude scattered throughout, but also because the plot didn’t go into intricate details about things that I knew nothing about.
Some of my favourite parts are those that deal with Terence. Here was an athletic, practical young man with the appetite of a horse and the physique of a boxer. He was the very antithesis of his father who ‘had done everything to undermine his normality.' From clamping down on his tremendous appetite with a strict vegetarian diet, giving him a very small allowance of sixpence a week, requiring him to wear ‘rational clothing’ which included shorts in the middle of winter, and making him a Symbol-bearer in the Temple.

One day Terence met Denise, Mrs. Hagge-Smith’s secretary and immediately fell in love with her. She didn't mind him either.

‘Terence...shot a quick glance at the miracle in his midst and asked abruptly:
“I say, don’t think this is rude of me, but do you have manifestations?"

“Manifestations?”
It sounded as if he were referring to insects or pimples.

“Yes, you know - astral visions and all that sort of thing. Spirit shapes.”

“No - I cant say that I do. I dream rather a lot after a late supper. But I’m not at all psychic, if that’s what you mean.”

“I am,” announced Terence, to Denise’s surprise. “I’m always having astral manifestations. I get quite a kick out of it.” His eyes assumed a dreamy expression and then suddenly narrowed, as if he were trying, there and then, to penetrate the Veil. “Its marvellous sometimes how clearly I see things. They’re so terribly realistic.”

“Things?” enquired Denise. “What things?”

“Steaks mostly. But sometimes its mutton-chops or steak and kidney pudding. I just have to close my eyes, relax my mind and body, and there they are...You think it’s blasphemous of me to see things like that, don’t you? I know it’s not very high-minded, but -

“I don’t think anything of the sort. I think its very clever of you to see anything at all.

Terence just couldn’t work up any enthusiasm for peanut cutlets and raw cabbage and he confessed to his new-found friend that he went on the binge the week before and spent ten-weeks pocket money on a good feed.

Inspector Meredith always considered this investigation involving the Children of Osiris to be one of the most interesting, bizarre and exacting of all his cases.

At the same time I was getting my first introduction to John Bude, Sharon @Gently Mad was getting hers. She has written a review of another of his titles, The Cheltenham Square Murder, which sounds good.

And lastly, I read my first western:

Riders of the Purple Sage by Zane Grey (1913)




Apparently this book was a bestseller when it was published and has never been out of print. It made the author famous and created the new Western genre.
Set among the canyons and sage plains of Utah in the early 1870’s, this book has a strong romantic element and plenty of action.

A long running feud between Gentiles and Mormons comes to a head when Jane Withersteen, the daughter of the man who founded the Mormon settlement at Cottonwood, ignores the dispute and offers hospitality to an outsider.
A Mormon elder who plans to make Jane one of his wives threatens vengeance but he underestimates her courage and determination.
One day a lone rider of the plains comes to her house and with the help of the man who experienced hospitality at Jane’s hands, they try to help her hold out against those who seek her ruin.
I wasn’t sure what to expect from a Western and was surprised it had such a strong romantic element. I thought it was a bit melodramatic at times and ‘Lassiter,’ the lone rider who comes to Jane’s assistance was a little larger than life in his shooting and fighting abilities.

A fairly enjoyable read but I can’t say that I love the Western genre. I’d have to read some more of them to determine that.
Free online at Gutenberg.


What would you choose if you wanted a light read? I probably wouldn’t have picked up a book like Riders of the Purple Sage to read at home but I appreciated a book that wasn’t too demanding while we were travelling. I did contemplate taking a doorstopping epic like Les Mis or War & Peace for the plane trip but I’m glad now that I didn’t.




Saturday, 13 July 2019

Sparkling Cyanide by Agatha Christie (1945)




I've been on a crime spree lately: Dorothy L. Sayers, P.D. James, Ngaio Marsh, and now Agatha Christie.
This is one of Agatha Christie’s books where Poirot and Miss Marple aren’t involved and I’ve tended to enjoy these books more. (See The Man in the Brown Suit, for example.)

A year after Rosemary Barton’s death at an evening party at a high class London restaurant, the six people who were present on the night of her death are gathered together again at the request of her husband, George.
The cause of her death had been put down to suicide but George had reason to believe that this was not the case. On the first anniversary of her death he sets up a similar scenario hoping to bring the cause of her death to light. However, things go horribly awry and another death occurs. Is this a suicide or is there a murderer among them?

Colonel Race, a canny former associate of George’s, becomes involved in the unfolding events and the subsequent investigation, but the actual solution to the mystery is brought about by a most unlikely character.

Sparkling Cyanide shows off Christie’s mastery of misdirection. I really enjoyed this book and was kept in suspense right up to the last few pages. A very satisfying mystery made all the more enjoyable because unlike the last Christie I read, (And Then There Were None) there were a number of very likeable characters in this story that I hoped weren’t murderers!

‘He looked at her with eyes from which the last traces of scales had fallen. A lovely creature with the brains of a hen! He’d been mad - utterly and completely mad. But he was sane again now. And he’d got to get out of this fix. Unless he was careful she’d ruin his whole life.’

‘A wasp was buzzing close at hand. He stared abstractedly. It had got inside a cut glass jampot and as trying to get out.
Like me, he thought, entrapped by sweetness and now - he can’t get out, poor devil.'


I’ve spent some time reading and thinking about the development of the moral imagination so this jumped out at me as I read it:

‘...(She) has the calm practical efficiency that can contemplate and carry out murder, and that perhaps lacks that quality of pity which is essentially a product of imagination.’

I’d never heard of this title, but I have been a late comer to Agatha Christie’s books, so I was pleased that it was an enjoyable read and I’d happily recommend it as a good one to try if you haven’t already read it.



Wednesday, 17 January 2018

And There There Were None by Agatha Christie (1939)


'Ten little soldier boys went out to dine;
 
One choked his little self and then there were Nine...
One little soldier boy left all alone;
He went and hanged himself and then there were None.'




An old nursery rhyme forms the backdrop to Christie’s murder mystery, And Then There Were None.
Ten strangers, each with a secret in their past, receive invitations of various sorts to an isolated mansion on Soldier Island. Arrangements had been made by a person going by the name of ‘U. N. Owen,’ the new owner of the island, for the individuals to be picked up at a certain point and then transported via boat to the island.
The guests realise too late that there is no way off the island until the boat returns, if in fact it ever will, and one by one the invited guests are killed in mysterious ways. Those remaining try to figure out who the killer might be and they each view the others as their enemies.

Agatha Christie has been a mixed bag for me. I’ve loved some of her novels: The Murder of Roger Ackroyd, The Man in the Brown Suit, and The Secret Adversary were great reads but although the plot in the book I’ve just finished was clever and interesting, the characters were just awful. There was only one of the ‘Ten’ that I thought had any redeeming qualities; the others were plain old nasty and selfish. It was difficult to feel any sympathy for the cast of characters in this book. Give me Dorothy Sayers, Josephine Tey or even Margery Allingham instead of Agatha Christie anytime...well, at least until I read another of her books that changes my mind again.






This book is on my list for the 'Official 2018 TBR Pile Challenge' and it's my choice of a Crime Classic for Back to the Classics 2018


Thursday, 6 April 2017

The Murder of Roger Ackroyd by Agatha Christie (1926)


Something I don't often do these days is stay up late to finish a book, but the truth was, I couldn't put this one down. I fully intended to read just one more chapter, but I was hooked and had to finish it.
The Murder of Roger Ackroyd is a Hercules Poirot novel. I wasn't all that enamoured with the two previous Poirot stories I read and so I've leaned towards Christie's Tommy & Tuppence series and others that don't include either Poirot (or Miss Marple for that matter.) However, this book changed my mind on Poirot. I loved it and was not surprised to read that Christie's career took a decided turn for the better after it was published.

 


Dr James Sheppard, a middle-aged bachelor lives with his older sister Caroline in a small English village and is the narrator of this story. He is a self-deprecating, logical sort of fellow, while Caroline is a self-appointed amateur sleuth and an inveterate gossip:

The motto of the mongoose family, so Mr Kipling tells us, is: 'Go and find out.' If Caroline ever adopts a crest, I should certainly suggest a mongoose rampant. One might omit the first part of the motto. Caroline can do any amount of finding out by sitting placidly at home. I don't know how she manages it, but there it is. I suspect that the servants and the tradesmen constitute her Intelligence Corps. When she goes out, it is not to gather information, but to spread it. At that, too, she is amazingly expert.

Their interactions were some of my favourite parts of the book:

Caroline pushed her spectacles up and looked at me.
'You seem very grumpy, James. It must be your liver. A blue pill, I think, tonight.'
To see me in my own home, you would never imagine that I was a doctor of medicine. Caroline does the home prescribing both for herself and me.
 
Hercule Poirot, a private detective, had moved into the village about a year before, ostensibly to retire from active work. He is the Sheppard's neighbour, but they believed he was a hairdresser because of his two immense moustaches. His identity only became known to them when Flora Ackroyd, the dead man's niece, asks Poirot's assistance in solving her uncle's murder. Suspicion is upon everyone and Dr Sheppard finds himself closely involved in the investigation as Poirot's unofficial assistant: 'I played Watson to his Sherlock.'


 'Mark my words, James, you'll see that I'm right...Roger Ackroyd might easily have been poisoned in his food that night.'
I laughed out loud.
'Nonsense,' I cried. 'He was stabbed in the neck. You know that as well as I do.'
'After death, James,' said Caroline, 'to make a false clue.'
'My good woman,' I said, 'I examined the body, and I know what I'm talking about...'
Caroline merely continued to look omniscient, which so annoyed me that I went on:
'Perhaps you will tell me, if I have a medical degree or if I have not?'
'You have the medical degree, I dare say, James - at least, I mean I know you have. But you've no imagination whatever.'
'Having endowed you with a treble portion, there was none left over for me,' I said drily.

In an obtuse sort of way, this book reminded me of Rebecca by Daphne du Maurier. It's bears no resemblance really, but rather it was the narrative device that both Christie and du Maurier used that made me think of them having a similarity.

Warning! Don't read the link below until you've finished the book!

This article explains the source of the idea which Agatha Christie based this book upon.


'The truth, however ugly in itself, is always curious and beautiful to the seeker after it...'

Hercule Poirot





Linking up with Back to the Classics 2017: A Classic by a Woman Author and The Classics Club